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The prayer duet karaoke instrumental

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The prayer duet karaoke instrumental

(celine dion & andrea bocelli)

listen to intrumental demo

listen to demo on youtube

 


Celine Dion born Céline Marie Claudette Dion; 30 March 1968) is a Canadian singer and businesswoman. Born into a large family from Charlemagne, Quebec, Dion emerged as a teen star in the French-speaking world after her manager and future husband René Angélil mortgaged his home to finance her first record. Dion first gained international recognition in the 1980s by winning both the 1982 Yamaha World Popular Song Festival and the 1988 Eurovision Song Contest where she represented Switzerland. Following a series of French albums during the 1980s, she signed on to Epic Records in the United States. In 1990, Dion released her debut English-language album, Unison, establishing herself as a viable pop artist in North America and other English-speaking areas of the world.
During the 1990s, with the help of Angélil, she achieved worldwide fame after releasing several English albums along with additional French albums. Her albums, Falling into You (1996) and Let’s Talk About Love (1997), were both certified diamond in the US while D’eux (1995) became the best-selling French-language album of all time. She also scored a series of international number-one hits, including “Nothing Broken but My Heart”, “The Power of Love”, “Think Twice”, “Because You Loved Me”, “It’s All Coming Back to Me Now”, “My Heart Will Go On”, and “I’m Your Angel”. However, in 1999 at the height of her success, Dion announced a hiatus from entertainment to start a family and spend time with her husband, who had been diagnosed with cancer. She returned to the top of pop music in 2002 and signed to perform nightly in A New Day… (2003–07), a five-star theatrical show at the Colosseum at Caesars Palace, on the Las Vegas Strip in Paradise, Nevada. It became the most successful residency show of all time, grossing US $385 million. The prayer duet karaoke instrumental
Dion’s music has been influenced by genres ranging from rock and R&B to gospel and classical. Her recordings are mainly in French and English, although she also sings in Spanish, Italian, German, Latin, Japanese, and Mandarin Chinese. While her releases have often received mixed critical reception, she is regarded as one of pop music’s most influential voices. Dion has won five Grammy Awards, including Album of the Year and Record of the Year. She is the second best-selling female artist in the US during the Nielsen SoundScan era. In 2003, Dion was honoured by the International Federation of the Phonographic Industry (IFPI) for selling over 50 million albums in Europe. Dion remains the best-selling Canadian artist and one of the best-selling artists of all time with record sales of over 200 million copies worldwide. The prayer duet karaoke instrumental
1968–1989: Early life and career beginnings
Dion was born in Charlemagne, Quebec, the youngest of 14 children of Thérèse (née Tanguay), a homemaker, and Adhémar Dion, a butcher, both of French-Canadian descent. Dion was raised a Roman Catholic in a poor, but, by her own account, happy home in Charlemagne.[ Music had always been a major part of the Dion family; indeed, Dion herself was named after the song “Céline,” which French singer Hugues Aufray had recorded two years before her own birth. On 13 August 1973, at the age of five, the young Céline made her first public appearance at her brother Michel’s wedding, where she performed Christine Charbonneau’s song “Du fil des aiguilles et du coton”. She continued to perform with her siblings in her parents’ small piano bar called Le Vieux Baril, “The Old Barrel.” From an early age, Dion had dreamed of being a performer. In a 1994 interview with People magazine, she recalled, “I missed my family and my home, but I don’t regret having lost my adolescence. I had one dream: I wanted to be a singer.” The prayer duet karaoke instrumental
At age 12, Dion collaborated with her mother and her brother Jacques to write and compose her first song, “Ce n’était qu’un rêve,” whose title translates as “It Was Only a Dream” or “Nothing But A Dream.”Her brother Michel sent the recording to music manager René Angélil, whose name he discovered on the back of a Ginette Reno album. Angélil was moved to tears by Dion’s voice and decided to make her a star. In 1981, he mortgaged his home to fund her first record, La voix du bon Dieu, which later became a local No. 1 hit and made Dion an instant star in Quebec. Her popularity spread to other parts of the world when she competed in the 1982 Yamaha World Popular Song Festival in Tokyo, Japan, and won the musician’s award for “Top Performer” as well as the gold medal for “Best Song” with “Tellement j’ai d’amour pour toi”.
By 1983, in addition to becoming the first Canadian artist to receive a gold record in France for the single “D’amour ou d’amitié” (“Of Love or of Friendship”), Dion had also won several Félix Awards, including “Best Female performer” and “Discovery of the Year”. Further success came when Dion represented Switzerland in the 1988 Eurovision Song Contest with the song “Ne partez pas sans moi” and won the contest by a close margin in Dublin, Ireland. The prayer duet karaoke instrumental
At age eighteen, after seeing a Michael Jackson performance, Dion told Angélil that she wanted to be a star like Jackson. Though confident in her talent, Angélil realized that her image needed to be changed in order for her to be marketed worldwide. Dion receded from the spotlight for a number of months, during which she underwent dental surgery to improve her appearance, and was sent to the École Berlitz in 1989 to polish her English.
In 1989, during a concert on the Incognito Tour, Dion injured her voice. She consulted the otorhinolaryngologist William Gould, who gave her an ultimatum: have immediate surgery on her vocal cords or do not utilize them at all for three weeks. Dion chose the latter and underwent vocal training with William Riley.
“Where Does My Heart Beat Now”, Dion’s first North American hit, was 1980s soft rock. (Note the prominence of the electric guitar). It contrasts with the style of subsequent efforts.
Problems playing this file? See media help. The prayer duet karaoke instrumental
Two years after she learned English, Dion made her debut into the Anglophone market with Unison (1990), the lead single having originally been recorded by Laura Branigan. She incorporated the help of many established musicians, including Vito Luprano and Canadian producer David Foster. The album was largely influenced by 1980s soft rock music that quickly found a niche within the adult contemporary radio format. Unison also hit the right notes with critics: Jim Faber of Entertainment Weekly wrote that Dion’s vocals were “tastefully unadorned,” and that she never attempted to “bring off styles that are beyond her”. Stephen Erlewine of AllMusic declared it as “a fine, sophisticated American debut”.Singles from the album included “(If There Was) Any Other Way”, “The Last to Know”, “Unison”, and “Where Does My Heart Beat Now”, a mid-tempo soft-rock ballad which made prominent use of the electric guitar. The latter became her first top-ten hit on the US Billboard Hot 100, peaking at number four. In 1991, Dion was a featured soloist in Voices That Care, a tribute to American troops fighting in Operation
Dion’s real international breakthrough came when she duetted with Peabo Bryson on the title track to Disney’s animated film Beauty and the Beast (1991). It became her first top-ten hit in the UK and her second top-ten hit in the US. The song earned its songwriters an Academy Award for Best Song and gave Dion her first Grammy Award for Best Pop Performance by a Duo or Group with Vocal. “Beauty and the Beast” served as the lead single from Dion’s 1992 self-titled album, which, like her debut, had a strong pop rock influence combined with elements of soul and classical music. Owing to the success of the lead-off single and her collaborations with David Foster and Diane Warren, the album was even more well-received commercially than Unison; it received diamond record in Canada and double platinum in the US. The album’s second single “If You Asked Me To” (a cover of Patti LaBelle’s song from the 1989 movie Licence to Kill) became her first number-one single in Canada and peaked at number four on the US Billboard Hot 100. The prayer duet karaoke instrumental
Also during this time, Dion released the Francophone album Dion chante Plamondon. The album consisted mostly of covers, but featured 4 new songs: “Des mots qui sonnent,” “Je danse dans ma tête,” “Quelqu’un que j’aime, quelqu’un qui m’aime” and “L’amour existe encore”. It was originally released in Canada and France during the 1991–1992 period, then later received an international release in 1994, the first French Celine Dion album to do so. “Un garçon pas comme les autres (Ziggy)” became a smash hit in France, reaching No. 2 and being certified gold. In Quebec, the album was certified Gold the day it was released.
By 1992, Unison, Céline Dion, and numerous high-profile media appearances had propelled Dion to superstardom in North America. She had achieved one of her main objectives: wedging her way into the Anglophone market and achieving fame. However, while she was experiencing rising success in the US, her French fans in Canada criticized her for neglecting them. She would later rebuff these criticisms at the 1991 Félix Awards show, where, after winning “English Artist of the Year”, she openly refused to accept the award. She asserted that she was—and would always be—a French, not an English, artist.Apart from her commercial success, there were also changes in Dion’s personal life, as Angélil, who was twenty-six years her senior, transitioned from manager to lover. However, the relationship was kept a secret as they both feared that the public would find their relations inappropriate.
Pop music is a genre of popular music that originated in its modern form in the Western world during the 1950s and 1960s, deriving from rock and roll. The terms “popular music” and “pop music” are often used interchangeably, although the former describes all music that is popular (and can include any style).
Pop music is eclectic, and often borrows elements from other styles such as urban, dance, rock, Latin, and country; nonetheless, there are core elements that define pop music. Identifying factors include generally short to medium-length songs written in a basic format (often the verse-chorus structure) as well as the common employment of repeated choruses, melodic tunes, and hooks. The prayer duet karaoke instrumental
David Hatch and Stephen Millward define pop music as “a body of music which is distinguishable from popular, jazz, and folk musics”. According to Pete Seeger, pop music is “professional music which draws upon both folk music and fine arts music”.Although pop music is seen as just the singles charts, it is not the sum of all chart music. The music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately.Thus “pop music” may be used to describe a distinct genre, aimed at a youth market, often characterized as a softer alternative to rock and roll.
The Oxford Dictionary of Music states that the term “pop” refers to music performed by such artists as the Rolling Stones (pictured here in a 2006 performance)
The term “pop song” was first recorded as being used in 1926, in the sense of a piece of music “having popular appeal”.However, the term was in mainstream use at least ten years earlier. Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music.
According to the website of The New Grove Dictionary of Music and Musicians, called Grove Music Online, the term “pop music” “originated in Britain in the mid-1950s as a description for rock and roll and the new youth music styles that it influenced The Oxford Dictionary of Music states that while pop’s “earlier meaning meant concerts appealing to a wide audience … since the late 1950s, however, pop has had the special meaning of non-classical mus[ic], usually in the form of songs, performed by such artists as the Beatles, the Rolling Stones, ABBA, etc”. Grove Music Online also states that “… in the early 1960s [the term] ‘pop music’ competed terminologically with Beat music [in England], while in the USA its coverage overlapped (as it still does) with that of ‘rock and roll'”.
Throughout its development, pop music has absorbed influences from most other genres of popular music. Early pop music drew on the sentimental ballad for its form, gained its use of vocal harmonies from gospel and soul music, instrumentation from jazz, country, and rock music, orchestration from classical music, tempo from dance music, backing from electronic music, rhythmic elements from hip-hop music, and has recently appropriated spoken passages from rap. The prayer duet karaoke instrumental
It has also made use of technological innovation. In the 1940s improved microphone design allowed a more intimate singing style and ten or twenty years later inexpensive and more durable 45 r.p.m. records for singles “revolutionized the manner in which pop has been disseminated” and helped to move pop music to ‘a record/radio/film star system’. Another technological change was the widespread availability of television in the 1950s; with televised performances, “pop stars had to have a visual presence”. In the 1960s, the introduction of inexpensive, portable transistor radios meant that teenagers could listen to music outside of the home. Multi-track recording (from the 1960s); and digital sampling (from the 1980s) have also been utilized as methods for the creation and elaboration of pop music. By the early 1980s, the promotion of pop music had been greatly affected by the rise of music television channels like MTV, which “favoured those artists such as Michael Jackson and Madonna who had a strong visual appeal”.