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cant take my eyes off you karaoke

Can’t take my eyes off you

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Frankie Valli (born Francesco Stephen Castelluccio, May 3, 1934) is an American singer and actor,known as the frontman of The Four Seasons beginning in 1960. He is known for his unusually powerful head voice. Valli scored 29 Top 40 hits with The Four Seasons, one Top 40 hit under The Four Seasons alias The Wonder Who?, and nine Top 40 hits as a solo artist. As a member of The Four Seasons, Valli’s number-one hits included “Sherry” (1962), “Big Girls Don’t Cry” (1962), “Walk Like a Man” (1963), “Rag Doll” (1964) and “December, 1963 (Oh, What a Night)” (1975). Valli’s recording of the song “Can’t Take My Eyes Off You” reached number two in 1967. “You’re Ready Now”, a Valli solo recording from 1966, became a surprise hit in the UK as part of the Northern soul scene and hit number eleven on the British pop charts in December 1970. As a solo artist, Valli scored number-one hits with the songs “My Eyes Adored You” (1974) and “Grease” (1978). cant take my eyes off you karaoke
Valli, Tommy DeVito, Nick Massi and Bob Gaudio – the original members of The Four Seasons – were inducted into the Rock and Roll Hall of Fame in 1990 and the Vocal Group Hall of Fame in 1999.
Valli was born Francesco Stephen Castelluccio, the eldest of three sons to an Italian family in the First Ward of Newark, New Jersey. His father, Anthony Castelluccio, was a barber and display designer for Lionel model trains; his mother, Mary Rinaldi, was a homemaker and beer company employee. He was inspired to take up a singing career at the age of seven after his mother took him to see the young Frank Sinatra at the Paramount Theater in Manhattan, New York City. One of his early favorite singers was “Texas” Jean Valli, from whom he adopted his stage name. Until he could support himself with music, he worked as a barber. cant take my eyes off you karaoke
Valli’s birth year has been called into question. Valli never addressed the issue himself, until the 2007 posting at the Official Frankie Valli Site, sponsored by his current record label, Universal Records.[10] Much of the previous official publicity surrounding his career used 1937 as the birth year. Other sources, such as the Bear Family Records release, titled “The Four Lovers” (BCD 15424), as well as a 1965 mug shot, available through The Smoking Gun, all identify his year of birth as 1934.
Valli began his singing career in the early 1950s with the Variety Trio (Nickie DeVito, Tommy DeVito, and Nick Macioci). Valli’s desire to sing in public was initially granted when, having heard Valli sing, the group offered him a guest spot when the group performed. In late 1952, the Variety Trio disbanded and Valli, along with Tommy DeVito, became part of the house band at The Strand in New Brunswick, New Jersey. For his part, Valli played bass and sang.
He cut his first single, “My Mother’s Eyes”, in 1953 as “Frankie Valley”, a variation on a name he adopted from “Texas” Jean Valli, a female hillbilly singer as discussed in a 2014 article. “Frankie said in 2010 that Jean took him to meet music publishers Paul and Dave Kapp, telling them he was her brother. As a result, his first single was listed under ‘Frankie Valley’, and the name stuck—though he eventually changed it to the same spelling … [as Texas Jean was using].”
Around this time, Valli and Tommy DeVito left the house band at The Strand and formed The Variatones with Hank Majewski, Frank Cattone, and Billy Thompson. In 1956, as part of an audition backing a female singer, the group impressed New York record man Peter Paul, who had them auditioning at RCA Victor a week later. cant take my eyes off you karaoke
Renamed The Four Lovers, the group recorded several singles and one album’s worth of tracks. They had a minor hit with “You’re the Apple of My Eye” in 1956. Nickie DeVito and Hank Majewski left in 1958 to be replaced by Nick Macioci (now Nick Massi) and Hugh Garrity. Massi was in and out of the group, and, occasionally Charles Calello joined on accordion. The group continued to perform until 1959, when Bob Gaudio became a member. After a few more changes, the group was renamed “The 4 Seasons” after a cocktail lounge the group was at after auditioning in a big suburban bowling alley in 1960.
As the lead singer of The Four Seasons, Valli had a string of hits beginning with the number-one hit “Sherry” in 1962. As a footnote to this period of his career with The Four Seasons, the group’s bassist and vocal arranger Nick Massi was replaced in 1965 by Charlie Calello, the group’s instrumental arranger, and, then shortly thereafter, Calello was replaced by Joseph LaBracio, who went by the pseudonym Joe Long. cant take my eyes off you karaoke
During the 1960s, Gaudio and his then-songwriting partner, producer Bob Crewe, worked with Valli to craft solo recordings with varying degrees of success. This concept of a major recording artist performing solo in opposition to his or her own group performances was rare in the rock/pop world (Buddy Holly and The Crickets were an exception) and may have given tacit approval to other groups and members of other groups to pursue such a path. The potential to dominate the charts with group and solo recordings was great, and Valli, Gaudio and Crewe occasionally rose to the occasion with both great performances and commercial hits. Valli was the original artist to record the Gaudio-Crewe composition “The Sun Ain’t Gonna Shine (Anymore)”, a performance that was copied nearly note for note when recorded by The Walker Brothers, an American group based in England. The Walker Brothers version was a huge success. Valli continued to record solo performances and finally reached major success with the release of “Can’t Take My Eyes Off You”, which reached number two in the charts and was widely recorded by many other artists. cant take my eyes off you karaoke
Valli’s debut solo album was a gathering together of various single releases and a few new recordings. Before the release of Valli’s second solo album, a single was released in July 1967 with the A-side “I Make a Fool of Myself”, a record that reached number 18. Timeless, Valli’s second solo album release was more coherent and Valli took more time in recording it. Timeless contains one Top 40 hit, “To Give (The Reason I Live)”.
Valli ended the 1960s with a string of recordings that were included in the Valli/Four Seasons album Half & Half or released as various singles. The only hit to emerge at this time was the recording of “The Girl I’ll Never Know (Angels Never Fly This Low)”, reaching number 52.
“You’re Ready Now”, a Valli solo recording from 1966, became a surprise hit in the UK as part of the Northern soul scene and hit number eleven on the UK pop charts in December 1970.[19]
In 1975, his single “My Eyes Adored You” hit number one on the Billboard Hot 100. In the same year, he also had a number six Billboard hit with the disco-laden “Swearin’ to God”, while a further UK Chart success came with “Fallen Angel”, written by Guy Fletcher and Doug Flett; and produced by Bob Gaudio. Valli was in the UK charts with this at the same time as The Four Seasons enjoyed a UK hit with “Silver Star” on which Valli did not appear as lead.
In 1976, Valli covered The Beatles song “A Day in the Life” for the ephemeral musical documentary All This and World War II. cant take my eyes off you karaoke
In 1978, he sang the theme song for the film version of the stage play Grease, a song written by Barry Gibb of the Bee Gees, which became a number one hit. He had two further chart successes the following year, “Save Me, Save Me” in November 1978, which entered the Billboard Easy Listening chart; and “Fancy Dancer” in January 1979, which entered the pop charts.
alli began suffering from otosclerosis in 1967, forcing him to “sing from memory” in the latter part of the 1970s. Surgery performed by Los Angeles ear specialist Victor Goodhill restored most of his hearing by 1980. cant take my eyes off you karaoke
In 1992, a new Four Seasons album was released entitled Hope and Glory.
Valli performing at the Saban Theatre in 2013
In 2005, the musical Jersey Boys opened on Broadway. Besides performances of many of Frankie Valli and The Four Seasons hit recordings, it features a biographical narrative, told as four separate points of view by each of the members of The Four Seasons (Tommy DeVito, Frankie Valli, Nick Massi and Bob Gaudio), with Valli himself portrayed by John Lloyd Young in the original production. The musical dramatizes several real-life incidents from Valli’s life, including his estrangement from daughter Francine, who died in 1980. The show has been widely acclaimed, financially successful, and won six Tony Awards. The musical has touring companies around the world, as well as a version at Paris Las Vegas. This musical was adapted into a 2014 film of the same name directed by Clint Eastwood, with Young again appearing as Valli.
In October 2007, Valli released Romancing the ’60s, an album containing covers of his favorite songs from the 1960s, two of which—”Sunny” and “Any Day Now”—he had previously recorded.
In October 2012, Valli made his Broadway debut with a week-long concert engagement at the Broadway Theatre in New York starting October 19. cant take my eyes off you karaoke
From March 2016 to January 2017, “Frankie Valli and the Four Seasons” were touring the US, scheduled to play small-to-mid-size venues such as the Silver Legacy Casino in Reno, Nevada, the Celebrity Theatre in Phoenix, Arizona and the County Fair in Bloomsburg, Pennsylvania.
Valli made an appearance in 1985 on Miami Vice season 2 episode 5 titled “Buddies”. He played Frank Doss, a Mafia Boss.[24]Valli made a special guest appearance (as himself) during Season 8 of Full House, on the episode “DJ’s Choice”.
In 1998, he played the role of Frank LoCascio the former consigliere of the Gambino crime family under John Gotti’s regime in the TV movie Witness to the Mob.[24]He also made several appearances in Seasons 5 and 6 of the HBO series The Sopranos as mobster Rusty Millio (once referred to as “The Mayor of Munchkin Land”). Also, his and the Four Seasons’ music is heard in other Sopranos episodes, especially in “Big Girls Don’t Cry”.
He appeared in the 2014 film And So It Goes.
On the November 21, 2014, episode of Hawaii Five-0 entitled “Ka Hana malu (Inside Job)”, Valli played mysterious lawyer Leonard Cassano who was engaged to Carol Burnett’s character, Aunt Deb.
In 2015, he did interviews as himself on the AMC television series The Making of the Mob: New York.
Valli has been married three times. He married his first wife, Mary, who already had a two-year-old daughter, when he was in his early twenties. They raised two daughters together and divorced 13 years later in 1971. He married Mary Ann Hannagan in 1974, and that marriage lasted eight years. He then married Randy Clohessy in 1984; the couple had three sons and separated in 2004. In 1980, his stepdaughter, Celia, was killed when she fell off a fire escape, and six months later his youngest daughter, Francine, died of a drug overdose.
Valli has been a supporter of heritage-related causes, particularly the National Italian American Foundation (NIAF). In 2006, he received the NIAF Lifetime Achievement Award at the foundation’s Anniversary Gala. In 2008, NIAF presented a scholarship in his name to an Italian-American music student during the foundation’s East Coast Gala.
In May 2012, Valli received the Ellis Island Medal of Honor for his commitment to many humanitarian
causes. cant take my eyes off you karaoke
Pop music is a genre of popular music that originated in its modern form in the Western world during the 1950s and 1960s[not verified in body] as a softer alternative to rock and roll. The terms “popular music” and “pop music” are often used interchangeably, although the former describes all music that is popular and includes many styles. “Pop” and “rock” were synonymous terms until the late 1960s, when they were increasingly used in opposition from each other.
Although pop music is seen as just the singles charts, it is not the sum of all chart music. Pop music is eclectic, and often borrows elements from other styles such as urban, dance, rock, Latin, and country; nonetheless, there are core elements that define pop music. Identifying factors include generally short to medium-length songs written in a basic format (often the verse-chorus structure), as well as the common use of repeated choruses, melodic tunes, and hooks.
David Hatch and Stephen Millward define pop music as “a body of music which is distinguishable from popular, jazz, and folk musics”.According to Pete Seeger, pop music is “professional music which draws upon both folk music and fine arts music”. Although pop music is seen as just the singles charts, it is not the sum of all chart music. The music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately. Thus “pop music” may be used to describe a distinct genre, aimed at a youth market, often characterized as a softer alternative to rock and roll. Musicologist Allan Moore surmises that the term “pop music” itself may have originated from Pop art. Additionally, it’s important to note that pop music is always evolving, which means that the definition of pop music can change, too. It’s also important to be cognizant of the distinction between pop music and popular music. According to The New Grove Dictionary Of Music and Musicians, popular music is defined as “the music since industrialization in the 1800’s that is most in line with the tastes and interests of the urban middle class.”
The Oxford Dictionary of Music states that the term “pop” refers to music performed by such artists as the Rolling Stones (pictured here in a 2006 performance)
The term “pop song” was first recorded as being used in 1926, in the sense of a piece of music “having popular appeal”.However,[editorializing] the term was in mainstream use[not in citation given] at least ten years earlier. Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music. cant take my eyes off you karaoke
According to the website of The New Grove Dictionary of Music and Musicians, called Grove Music Online, the term “pop music” “originated in Britain in the mid-1950s as a description for rock and roll and the new youth music styles that it influenced”. The Oxford Dictionary of Music states that while pop’s “earlier meaning meant concerts appealing to a wide audience … since the late 1950s, however, pop has had the special meaning of non-classical mus[ic], usually in the form of songs, performed by such artists as the Beatles, the Rolling Stones, ABBA, etc”. Grove Music Online also states that “… in the early 1960s [the term] ‘pop music’ competed terminologically with beat music [in England], while in the USA its coverage overlapped (as it still does) with that of ‘rock and roll'”.
From about 1967, the term was increasingly used in opposition to the term rock music, a division that gave generic significance to both terms.Whereas rock aspired to authenticity and an expansion of the possibilities of popular music, pop was more commercial, ephemeral and accessible. According to British musicologist Simon Frith, pop music is produced “as a matter of enterprise not art”, is “designed to appeal to everyone” and “doesn’t come from any particular place or mark off any particular taste”. It is “not driven by any significant ambition except profit and commercial reward … and, in musical terms, it is essentially conservative”. It is, “provided from on high (by record companies, radio programmers, and concert promoters) rather than being made from below … Pop is not a do-it-yourself music but is professionally produced and packaged”.
, “You’ve Lost That Lovin’ Feelin'” ranks as the most frequently played song in US radio history, described by music writers Nick Logan and Bob Woffinden as “the ultimate pop record”.
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According to Frith, characteristics of pop music include an aim of appealing to a general audience, rather than to a particular sub-culture or ideology, and an emphasis on craftsmanship rather than formal “artistic” qualities.[6] Music scholar Timothy Warner said it typically has an emphasis on recording, production, and technology, rather than live performance; a tendency to reflect existing trends rather than progressive developments; and aims to encourage dancing or uses dance-oriented rhythms. cant take my eyes off you karaoke
The main medium of pop music is the song, often between two and a half and three and a half minutes in length, generally marked by a consistent and noticeable rhythmic element, a mainstream style and a simple traditional structure. Common variants include the verse-chorus form and the thirty-two-bar form, with a focus on melodies and catchy hooks, and a chorus that contrasts melodically, rhythmically and harmonically with the verse. The beat and the melodies tend to be simple, with limited harmonic accompaniment. The lyrics of modern pop songs typically focus on simple themes – often love and romantic relationships – although there are notable exceptions.
Harmony and chord progressions in pop music are often “that of classical European tonality, only more simple-minded.” Clich?s include the barbershop quartet-style harmony (i.e. ii – V – I) and blues scale-influenced harmony. There was a lessening of the influence of traditional views of the circle of fifths between the mid-1950s and the late 1970s, including less predominance for the dominant function.
Throughout its development, pop music has absorbed influences from most other genres of popular music. Early pop music drew on the sentimental ballad for its form, gained its use of vocal harmonies from gospel and soul music, instrumentation from jazz, country, and rock music, orchestration from classical music, tempo from dance music, backing from electronic music, rhythmic elements from hip-hop music, and has recently[when?] appropriated spoken passages from rap. According to Robert Christgau in 2014, pop music worldwide is permeated by electronic dance music.
A Scientific Reports study that examined over 464,000 recordings of popular music recorded between 1955 and 2010 found less variety in pitch progressions, growing average loudness levels, less diverse instrumentation and recording techniques, and less timbral variety, which declined after reaching a peak in the 1960s. Scientific American’s John Matson reported that this “seems to support the popular anecdotal observation that pop music of yore was better, or at least more varied, than today’s top-40 stuff.” cant take my eyes off you karaoke
Left, Michael Jackson in 1984; right, Madonna in 2008
In the 1940s improved microphone design allowed a more intimate singing style and ten or twenty years later inexpensive and more durable 45 r.p.m. records for singles “revolutionized the manner in which pop has been disseminated” and helped to move pop music to ‘a record/radio/film star system’. Another technological change was the widespread availability of television in the 1950s; with televised performances, “pop stars had to have a visual presence”.In the 1960s, the introduction of inexpensive, portable transistor radios meant that teenagers could listen to music outside of the home.Multi-track recording (from the 1960s); and digital sampling (from the 1980s) have also been utilized as methods for the creation and elaboration of pop music. By the early 1980s, the promotion of pop music had been greatly affected by the rise of music television channels like MTV, which “favoured those artists such as Michael Jackson and Madonna who had a strong visual appeal”.
The latter half of the 20th-century included a large-scale trend in American culture in which the boundaries between art and pop music were increasingly blurred.[27] Between 1950 and 1970, there was a debate of pop versus art.[28] Since then, certain music publications have embraced its legitimacy. According to Popmatters’ Robert Loss: “There’s a strong argument for the ‘rockist’ mode in music criticism—that it exists, and that it’s harmful—and poptimism has positioned itself as a corrective, an antidote. … In general the Old Guard of rock critics and journalists is depicted as a bunch of bricklayers for the foundations of the Rock and Roll Hall of Fame. True in part, which is to say, false. Like film studies, rock criticism of the late ‘60s and the ‘70s was an attempt to make popular music worthy of study; it was poptimism before its day.”
The story of pop music is largely the story of the intertwining pop culture of the United States and the United Kingdom in the postwar era.
Pop music has been dominated by the American and (from the mid-1960s) British music industries, whose influence has made pop music something of an international monoculture, but most regions and countries have their own form of pop music, sometimes producing local versions of wider trends, and lending them local characteristics. Some of these trends (for example Europop) have had a significant impact of the development of the genre. cant take my eyes off you karaoke
According to Grove Music Online, “Western-derived pop styles, whether coexisting with or marginalizing distinctively local genres, have spread throughout the world and have come to constitute stylistic common denominators in global commercial music cultures”. Some non-Western countries, such as Japan, have developed a thriving pop music industry, most of which is devoted to Western-style pop, has for several years produced a greater quantity of music of everywhere except the USA. The spread of Western-style pop music has been interpreted variously as representing processes of Americanization, homogenization, modernization, creative appropriation, cultural imperialism, and/or a more general process of