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Ele te si jolie karaoke instrumental

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Ele te si jolie karaoke instrumental

Elle etait si jolie Alain Barrière

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Alain Barrière (born Alain Bellec, 18 November 1935 in La Trinité-sur-Mer, Morbihan, France) is a French singer, who has been active since the 1950s and is known for participating in the 1963 Eurovision Song Contest.
After growing up in a small town on the coast of Brittany, in 1955 Barrière enrolled in the École nationale supérieure d’arts et métiers in Angers. As a student he bought a guitar and started to write songs. After graduating in engineering in 1960, he moved to Paris to take up employment, and started to perform in the evenings at small clubs around the capital. He won a song contest in 1961 with the self-penned song “Cathy”; his style was chanson-based with no concession to the burgeoning yé-yé scene, but nonetheless he was soon signed to a recording contract and started to release singles regularly, enabling him to give up his job and make at least a modest living from music. Ele te si jolie karaoke instrumental
In 1963, Barrière’s song “Elle était si jolie” (“She Was So Pretty”) was chosen as the French representative in the eighth Eurovision Song Contest which took place on 23 March in London. “Elle était si jolie” finished fifth of 16 entries.
“Elle était si jolie” turned out to be by far the biggest seller of Barrière’s career to that point. He released his first album, Ma vie, in 1964 and the title-track became a huge hit. In 1965 he was offered, and accepted, a leading role in a heist thriller, Pas de panique, alongside Pierre Brasseur. This would be his only venture into acting, but his singing career reached its peak in the latter part of the decade with a string of hits making him one of France’s biggest stars and a sell-out live attraction.
Barrière had gained a reputation for being uncompromising and at times difficult to work with. In the early 1970s he left his record company to set up his own label. He kept his fanbase, which ensured his records and concerts continued to provide a good living, despite his being overlooked by sections of the French broadcast media. “Tu t’en vas”, a 1975 duet with fellow Eurovision veteran Noëlle Cordier, topped the French chart, and was the third biggest-selling single of the year in Switzerland. Ele te si jolie karaoke instrumental
Barrière married in 1975 and he and his wife opened a nightclub-restaurant in a converted castle in Brittany. Although it proved a successful and popular venue, Barrière soon found himself facing severe tax problems, a result of dubious advice. In 1977 he took his family to the USA, where they remained for four years.
After returning to France, Barrière made several comeback attempts, to little avail. After another period spent overseas, this time in Quebec, the family were back in Brittany when Barrière’s career was unexpectedly rejuvenated by the 1997 release of a CD containing remastered versions of his old hits, which proved to be a money-spinner. Shortly afterwards, Barrière released an album of new material, which also sold well.
He published an autobiography in 2006 and continues to release both retrospective and newly recorded albums.
Pop music is a genre of popular music that originated in its modern form in the Western world during the 1950s and 1960s, deriving from rock and roll. The terms “popular music” and “pop music” are often used interchangeably, although the former describes all music that is popular (and can include any style).
Pop music is eclectic, and often borrows elements from other styles such as urban, dance, rock, Latin, and country; nonetheless, there are core elements that define pop music. Identifying factors include generally short to medium-length songs written in a basic format (often the verse-chorus structure) as well as the common employment of repeated choruses, melodic tunes, and hooks. Ele te si jolie karaoke instrumental
David Hatch and Stephen Millward define pop music as “a body of music which is distinguishable from popular, jazz, and folk musics”. According to Pete Seeger, pop music is “professional music which draws upon both folk music and fine arts music”.Although pop music is seen as just the singles charts, it is not the sum of all chart music. The music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately.Thus “pop music” may be used to describe a distinct genre, aimed at a youth market, often characterized as a softer alternative to rock and roll.
The Oxford Dictionary of Music states that the term “pop” refers to music performed by such artists as the Rolling Stones (pictured here in a 2006 performance) Elle etait si jolie
The term “pop song” was first recorded as being used in 1926, in the sense of a piece of music “having popular appeal”.However, the term was in mainstream use at least ten years earlier. Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music.
According to the website of The New Grove Dictionary of Music and Musicians, called Grove Music Online, the term “pop music” “originated in Britain in the mid-1950s as a description for rock and roll and the new youth music styles that it influenced The Oxford Dictionary of Music states that while pop’s “earlier meaning meant concerts appealing to a wide audience … since the late 1950s, however, pop has had the special meaning of non-classical mus[ic], usually in the form of songs, performed by such artists as the Beatles, the Rolling Stones, ABBA, etc”. Grove Music Online also states that “… in the early 1960s [the term] ‘pop music’ competed terminologically with Beat music [in England], while in the USA its coverage overlapped (as it still does) with that of ‘rock and roll'”.
Throughout its development, pop music has absorbed influences from most other genres of popular music. Early pop music drew on the sentimental ballad for its form, gained its use of vocal harmonies from gospel and soul music, instrumentation from jazz, country, and rock music, orchestration from classical music, tempo from dance music, backing from electronic music, rhythmic elements from hip-hop music, and has recently appropriated spoken passages from rap.
It has also made use of technological innovation. In the 1940s improved microphone design allowed a more intimate singing style and ten or twenty years later inexpensive and more durable 45 r.p.m. records for singles “revolutionized the manner in which pop has been disseminated” and helped to move pop music to ‘a record/radio/film star system’. Another technological change was the widespread availability of television in the 1950s; with televised performances, “pop stars had to have a visual presence”. In the 1960s, the introduction of inexpensive, portable transistor radios meant that teenagers could listen to music outside of the home. Multi-track recording (from the 1960s); and digital sampling (from the 1980s) have also been utilized as methods for the creation and elaboration of pop music. By the early 1980s, the promotion of pop music had been greatly affected by the rise of music television channels like MTV, which “favoured those artists such as Michael Jackson and Madonna who had a strong visual appeal”.
According to several sources, MTV helped give rise to pop stars such as Michael Jackson and Madonna; and Jackson and Madonna Ele te si jolie karaoke instrumental
Pop music has been dominated by the American and (from the mid-1960s) British music industries, whose influence has made pop music something of an international monoculture, but most regions and countries have their own form of pop music, sometimes producing local versions of wider trends, and lending them local characteristics. Some of these trends (for example Europop) have had a significant impact of the development of the genre.
According to Grove Music Online, “Western-derived pop styles, whether coexisting with or marginalizing distinctively local genres, have spread throughout the world and have come to constitute stylistic common denominators in global commercial music cultures”.Some non-Western countries, such as Japan, have developed a thriving pop music industry, most of which is devoted to Western-style pop, has for several years produced a greater quantity of music of everywhere except the USA.The spread of Western-style pop music has been interpreted variously as representing processes of Americanization, homogenization, modernization, creative appropriation, cultural imperialism, and/or a more general process of globalization. Select subgeneres of pop such as the guitar-driven “Jank” subgenre have consciously reversed the trend toward homogenization by combining elements from world and classical music into more traditional pop structures.
According to British musicologist Simon Frith, characteristics of pop music include an aim of appealing to a general audience, rather than to a particular sub-culture or ideology, and an emphasis on craftsmanship rather than formal “artistic” qualities. Music scholar Timothy Warner said it typically has an emphasis on recording, production, and technology, rather than live performance; a tendency to reflect existing trends rather than progressive developments; and aims to encourage dancing or uses dance-oriented rhythms.
The main medium of pop music is the song, often between two and a half and three and a half minutes in length, generally marked by a consistent and noticeable rhythmic element, a mainstream style and a simple traditional structure. Common variants include the verse-chorus form and the thirty-two-bar form, with a focus on melodies and catchy hooks, and a chorus that contrasts melodically, rhythmically and harmonically with the verse. The beat and the melodies tend to be simple, with limited harmonic accompaniment.The lyrics of modern pop songs typically focus on simple themes – often love and romantic relationships – although there are notable exceptions.
Harmony and chord progressions in pop music are often “that of classical European tonality, only more simple-minded.” and then to the tonic) and blues scale-influenced harmony. There was a lessening of the influence of traditional views of the circle of fifths between the mid-1950s and the late 1970s, including less predominance for the dominant function. Ele te si jolie karaoke instrumental
A study in 2012 that examined over 464,000 recordings of popular music recorded since 1955 found “three important trends in the evolution of musical discourse: the restriction of pitch sequences (with metrics showing less variety in pitch progressions), the homogenization of the timbral palette [tone colour] (with frequent timbres becoming more frequent), and growing average loudness levels (threatening a dynamic richness [changes in volume] that has been conserved until today).”[28] It was reported that the study “seems to support the popular anecdotal observation that pop music of yore was better, or at least more varied, than today’s top-40 stuff.