Sandy grease karaoke instrumental
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Grease is a 1971 musical by Jim Jacobs and Warren Casey. Named after the 1950s United States working-class youth subculture known as greasers, the musical is set in 1959 at fictional Rydell High School (based on William Howard Taft School in Chicago, Illinois and follows ten working-class teenagers as they navigate the complexities of peer pressure, politics, personal core values, and love. The score borrows heavily from the sounds of early rock and roll. In its original production in Chicago, Grease was a raunchy, raw, aggressive, vulgar show. Subsequent productions sanitized it and tamed it down. The show mentions social issues such as teenage pregnancy, peer pressure and gang violence; its themes include love, friendship, teenage rebellion, sexual exploration during adolescence, and, to some extent, class consciousness/class conflict. Jacobs described the show’s basic plot as a subversion of common tropes of 1950s cinema, since the female lead, who in many 1950s films transformed the alpha male into a more sensitive and sympathetic character, is instead drawn into the man’s influence and transforms into his fantasy. Sandy grease karaoke instrumental
Grease was first performed in 1971 in the original Kingston Mines nightclub in Chicago (since demolished). From there, it has been successful on both stage and screen, but the content has been diluted and its teenage characters have become less Chicago habitués (the characters’ Polish-American backgrounds in particular are ignored with last names often changed) and more generic. At the time that it closed in 1980, Grease’s 3,388-performance run was the longest yet in Broadway history, although it was surpassed by A Chorus Line a few years later. It went on to become a West End hit, a successful feature film, two popular Broadway revivals in 1994 and 2007, and a staple of regional theatre, summer stock, community theatre, and high school and middle school drama groups. It remains Broadway’s 15th longest-running show. Sandy grease karaoke instrumental
Grease was adapted in 1978 as a feature film also named Grease, which added plot elements and songs not in the original musical. These revisions have been incorporated into revivals of the musical (John Farrar, who wrote two of the new songs, is credited alongside Jacobs and Casey for the music in these productions). A 2016 live TV musical used elements from both the original stage version and the film.
The show’s original, aggressive and profane 1971 incarnation was directed by Guy Barile, choreographed by Ronna Kaye and produced by the Kingston Mines Theater Company founded by June Pyskacek on Chicago’s Lincoln Avenue. The script was based on Jim Jacobs’ experience at William Taft High School, Chicago. Warren Casey collaborated with Jim and together they wrote the music and lyrics. It ran for eight months. The cast: Doug Stevenson (Danny), Leslie Goto (Sandy), Sue Williams (Rizzo), Polly Pen (Patty), Gary Houston (Roger), Marilu Henner (Marty), James Canning (Doody), Hedda Lubin (Frenchy), Bruce Hickey (Kenickie), Sheila Ray Ceaser (Jan), Bill Cervetti (Miller), Jerry Bolnick (Sonny), Judy Brubaker (Miss Lynch), Mike O’Connor (Vince Fontaine), Steve Munro (Eugene), Barbara Munro (Cha Cha), Mac Hamilton (Teen Angel) and George Lopez (Bum).
Producers Ken Waissman and Maxine Fox saw the show and made a deal to produce it Off-Broadway. The team headed to New York City to collaborate on the New York production of Grease. The new production, directed by Tom Moore and choreographed by Patricia Birch (who later choreographed the film adaptation, and directed the ill-fated sequel), opened Off-Broadway at the Eden Theatre in downtown Manhattan on February 14, 1972. Though Grease opened geographically off-Broadway, it did so under first class Broadway contracts. The show was deemed eligible for the 1972 Tony Awards, receiving seven Tony Award nominations. Sandy grease karaoke instrumental
On June 7, 1972, the production moved to the Broadhurst Theatre in Broadway, and on November 21, it moved to the Royale Theatre there, where it ran until January 27, 1980. For the five final weeks of the run, the show moved to the larger Majestic Theatre. By the time it closed on April 13, 1980, it had run 3,388 performances.
The original Broadway cast included Barry Bostwick as Danny and Carole Demas as Sandy, with Adrienne Barbeau as Rizzo, Timothy Meyers as Kenickie, Alan Paul, and Walter Bobbie and Marya Small in supporting roles. Replacements later in the run included Jeff Conaway (who had been the original understudy for Danny), Gail Edwards, Marilu Henner, Peter Gallagher, Ilene Graff, Judy Kaye, Patrick Swayze, John Travolta, Jerry Zaks and Treat Williams. Richard Gere was an understudy for many roles in this production, including Danny Zuko, Teen Angel, and Vince Fontaine.
The London production opened at the New London Theatre in June 1973 with a cast that included a then-unknown Richard Gere as Danny, Stacey Gregg as Sandy, Stephen Bent as Roger, Jacqui-Ann Carr as Rizzo, and Derek James as Doody. Later Paul Nicholas and Elaine Paige, who had been in the London production of Hair, took over the leads. Kim Braden would also play Sandy. It was revived in London at the Astoria in 1979 with Su Pollard and Tracey Ullman in the two lead roles. Sandy grease karaoke instrumental
The revival opened at the Dominion Theatre and transferred to the Cambridge Theatre in October 1996, where it ran until September 11, 1999. Directed by David Gilmore, the opening cast included Craig McLachlan (Danny); Debbie Gibson (Sandy — Sonia, then Samantha Janus later replaced Gibson as Sandy); Mike Doyle (Vince Fontaine); Tamzin Outhwaite (Patty); Shane Ritchie (Kenickie) and Sally Ann Triplett (Rizzo). (Variety, Review Abroad Grease, August 2–August 8, 1993) Other performers who played Danny were Shane Richie, Luke Goss, Ian Kelsey and Darren Day. The huge success led to the 1st National Tour featuring Shane Ritchie as Danny, Helen Way as Sandy, Toby Hinson as Vince F ontaine / Teen Angel, Ben Richards/Alex Bourne as Kenickie and Michele Hooper as Rizzo to name but a few. The original score includes four songs written for the film adaptation: “Hopelessly Devoted to You”, “Sandy”, “You’re the One That I Want”, and the title number. The Burger Palace Boys’ name is the T-Birds in this revival.
After twenty previews, a Broadway revival directed and choreographed by Jeff Calhoun opened on May 11, 1994 at the Eugene O’Neill Theatre, where it ran for 1,505 performances. Featured were Ricky Paull Goldin (Danny), Brooke Shields and Rosie O’Donnell (Rizzo), Susan Wood (Sandy), Hunter Foster (Roger), Sam Harris (Doody), Megan Mullally (Marty), Heather Stokes (Jan) and Billy Porter (Teen Angel). Sandy grease karaoke instrumental
A U.S. national tour of the 1994 production started in September 1994 in New Haven, Connecticut, and ran for several years. The opening tour cast included Sally Struthers (Miss Lynch), who stayed with the tour for several years, Angela Pupello (Rizzo), Rex Smith (Danny), Trisha M. Gorman (Sandy), and Davy Jones (Vince Fontaine). Brooke Shields (Rizzo) started on the tour in November 1994 before joining the Broadway cast. Other notable performers on the tour were Micky Dolenz (Vince Fontaine), Adrian Zmed (Danny), Debbie Gibson, Heather Stokes, Sheena Easton, Mackenzie Phillips and Jasmine Guy (Rizzo), Sutton Foster (Sandy understudy) and Marissa Jaret Winokur (Jan), and Lucy Lawless and Linda Blair (Rizzo, 1997).
This tour, produced by the Troika Organization, was a non-union bus & truck playing mostly one-nighters and split week engagements primarily in smaller markets. The production, which ran for two years, was directed by Ray DeMattis with choreography by Tony Parise and music direction by Helen Gregory. The original cast featured Randy Bobish (Danny Zuko), Nicole Greenwood (Sandy Dumbrowski), Gary Martin (Kenickie), Christine Hudman (Betty Rizzo), Timothy Quinlan (Roger), Kimberly Wharton (Jan), Bruce Smith (Doody), Kathleen Connolly (Frenchy), Jeffrey Shubart (Sonny LaTierri), Laura Hornberger (Marty), Debbie Damp (Patty Simcox), Michael Giambrone (Eugene Florczyk), Juan Betancourt (Johnny Casino), Jamie Patterson (Teen Angel), and Steven Sackman (Vince Fontaine). Frankie Avalon starred as the Teen Angel for a one-week engagement at the Jackie Gleason Theater in Miami Beach (December 10–15, 1996).
This tour was directed by Ray DeMattis and featured choreography by Christopher Gattelli. The cast starred Frankie Avalon as the Angel, with Jamey Isenor (Danny Zuko) and Hanna-Liina Võsa (Sandy Dumbrowski), Jason Harper (Roger), Danny Smith (Sonny LaTierri), John Ashley (Kenickie), Sarah Hubbard (Frenchy), Craig McEldowney (Doody), Kirsten Allyn Michaels (Marty), Jaqueline Colmer (Betty Rizzo), Cortney Harper (Jan) and Arthur J. Callahan (Vince Fontaine). Sandy grease karaoke instrumental
A second Broadway revival, directed and choreographed by Kathleen Marshall, began previews at the Brooks Atkinson Theatre on July 24, 2007 and opened on August 19, 2007. Max Crumm and Laura Osnes were selected to portray Danny and Sandy via viewer votes cast during the run of the NBC reality series Grease: You’re the One that I Want!. The original score includes four songs written for the film adaptation: “Hopelessly Devoted to You”, “Sandy”, “You’re the One That I Want”, and the title number. The Burger Palace Boys’ name is the T-Birds in this revival. The production ended on January 4, 2009 after 31 previews and 554 performances.
A West End revival opened at the Piccadilly Theatre, London on August 8, 2007 and ran for nearly four years (the longest running show in the Piccadilly Theatre’s history). The leads were similarly cast via ITV’s Grease Is the Word, with Danny Bayne and Susan McFadden playing Danny and Sandy. The production closed on April 30, 2011 after over 1,300 performances with a U.K. tour to begin on May 6, 2011 in Edinburgh.
The UK tour features Danny Bayne as Danny, Carina Gillespie as Sandy, Ricky Rojas as Kenickie, Kate Somerset How as Rizzo, Derek Andrews as Roger, Laura Wilson as Jan, Richard Vincent as Doody, Lauren Stroud as Frenchy, Josh Dever as Sonny, Lois Urwin as Marty, Darren John as Eugene, Sammy Kelly as Patty, Jason Capewell as Teen Angel/Vince Fontaine, Nancy Hill as Miss Lynch and Sophie Zucchini as Cha Cha.
In 2017, Grease started touring the UK again, this time starring The Wanted’s Tom Parker as Danny Zuko, BBC Over The Rainbow winner Danielle Hope as Sandy and Strictly Come Dancing’s Louisa Lytton.
Pop music is a genre of popular music that originated in its modern form in the Western world during the 1950s and 1960s, deriving from rock and roll. The terms “popular music” and “pop music” are often used interchangeably, although the former describes all music that is popular (and can include any style).
Pop music is eclectic, and often borrows elements from other styles such as urban, dance, rock, Latin, and country; nonetheless, there are core elements that define pop music. Identifying factors include generally short to medium-length songs written in a basic format (often the verse-chorus structure) as well as the common employment of repeated choruses, melodic tunes, and hooks. Sandy grease karaoke instrumental
David Hatch and Stephen Millward define pop music as “a body of music which is distinguishable from popular, jazz, and folk musics”. According to Pete Seeger, pop music is “professional music which draws upon both folk music and fine arts music”.Although pop music is seen as just the singles charts, it is not the sum of all chart music. The music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately.Thus “pop music” may be used to describe a distinct genre, aimed at a youth market, often characterized as a softer alternative to rock and roll.
The Oxford Dictionary of Music states that the term “pop” refers to music performed by such artists as the Rolling Stones (pictured here in a 2006 performance)
The term “pop song” was first recorded as being used in 1926, in the sense of a piece of music “having popular appeal”.However, the term was in mainstream use at least ten years earlier. Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music.Sandy grease karaoke instrumental
According to the website of The New Grove Dictionary of Music and Musicians, called Grove Music Online, the term “pop music” “originated in Britain in the mid-1950s as a description for rock and roll and the new youth music styles that it influenced The Oxford Dictionary of Music states that while pop’s “earlier meaning meant concerts appealing to a wide audience … since the late 1950s, however, pop has had the special meaning of non-classical mus[ic], usually in the form of songs, performed by such artists as the Beatles, the Rolling Stones, ABBA, etc”. Grove Music Online also states that “… in the early 1960s [the term] ‘pop music’ competed terminologically with Beat music [in England], while in the USA its coverage overlapped (as it still does) with that of ‘rock and roll'”.
Throughout its development, pop music has absorbed influences from most other genres of popular music. Early pop music drew on the sentimental ballad for its form, gained its use of vocal harmonies from gospel and soul music, instrumentation from jazz, country, and rock music, orchestration from classical music, tempo from dance music, backing from electronic music, rhythmic elements from hip-hop music, and has recently appropriated spoken passages from rap. Sandy grease karaoke instrumental
It has also made use of technological innovation. In the 1940s improved microphone design allowed a more intimate singing style and ten or twenty years later inexpensive and more durable 45 r.p.m. records for singles “revolutionized the manner in which pop has been disseminated” and helped to move pop music to ‘a record/radio/film star system’. Another technological change was the widespread availability of television in the 1950s; with televised performances, “pop stars had to have a visual presence”. In the 1960s, the introduction of inexpensive, portable transistor radios meant that teenagers could listen to music outside of the home. Multi-track recording (from the 1960s); and digital sampling (from the 1980s) have also been utilized as methods for the creation and elaboration of pop music. By the early 1980s, the promotion of pop music had been greatly affected by the rise of music television channels like MTV, which “favoured those artists such as Michael Jackson and Madonna who had a strong visual appeal”.