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The Festival della canzone italiana di Sanremo (in English: Italian song festival of Sanremo) is the most popular Italian song contest and awards, held annually in the town of Sanremo, in Italy, and consisting of a competition amongst previously unreleased songs. Usually referred to as Festival di Sanremo, or outside Italy as Sanremo Music Festival or Sanremo Music Festival Award, it was the inspiration for the Eurovision Song Contest.
It is the music equivalent to the Premio Regia Televisiva for television, the Premio Ubu for stage performances, and the Premio David di Donatello for motion pictures, but with a longer history and contest associated with.
The first edition of the Sanremo Music Festival, held between 29 and 31 January 1951, was broadcast by RAI’s radio station Rete Rossa and its only three participants were Nilla Pizzi, Achille Togliani and Duo Fasano.Starting from 1955 all the editions of the Festival have been broadcast live by the Italian TV station Rai 1.
From 1951 to 1976, the Festival took place in the Sanremo Casino, but starting from 1977, all the following editions were held in the Teatro Ariston, except 1990’s one, held at the Nuovo Mercato dei Fiori.
Between 1953 and 1971, except in 1956, each song was sung twice by two different artists, each one using an individual orchestral arrangement, to illustrate the meaning of the festival as a composers’ competition, not a singers’ competition. During this era of the festival, it was custom that one version of the song was performed by a native Italian artist while the other version was performed by an international guest artist.
The festival is used as the way of choosing the Italian entry to the Eurovision Song Contest and it has launched the careers of some of Italy’s most successful singers, including Andrea Bocelli,Paola e Chiara, Giorgia, Laura Pausini, Eros Ramazzotti, and Gigliola Cinquetti.
The Festival airs annually in Australia on the multicultural broadcaster SBS One.
The Sanremo Casino hosted the Sanremo Music Festival between 1951 and 1976.
In the aftermath of World War II, one of the proposals to revitalize the economy and the reputation of Sanremo was to create an annual music festival to be held in the city. During the summer of 1950, the administrator of the Sanremo Casino, Piero Bussetti, and the conductor of the RAI orchestra, Giulio Razzi, rediscussed the idea, deciding to launch a competition among previously unreleased songs. Officially titled Festival della Canzone Italiana (English: Italian song festival), the first edition of the show was held at the Sanremo Casino on 29, 30 and 31 January 1951. The final of the competition was broadcast by Rete Rossa, the second most important RAI radio station. Twenty songs took part in the competition, performed by three artists only–Nilla Pizzi, Duo Fasano and Achille Togliani.Re di denari Nada karaoke instrumental
Starting from the third edition of the festival, held in 1953, each song was performed by two different artists with different orchestras and arrangements. Two years later, in 1955, the festival made its first appearance on television, since part of the final night was also broadcast by RAI’s channel Programma Nazionale. The last night of the show was also broadcast in Belgium, France, Germany, the Netherlands and Switzerland.
In 1964, Gianni Ravera, who organized the 14th Sanremo Music Festival, slightly changed the rules of the contest, requiring each song to be performed once by an Italian artist, and once by an international singer, which was allowed to perform the song in any language.The same rule was applied in the following year’s contest Between 1967 and 1971, entries were not forced to be interpreted by foreign artists, but double performances were kept. Starting from 1972, each entry was sung by one artist only.
The Teatro Ariston hosts the Sanremo Music Festival since 1977. The only exception was 1990’s contest, hosted at Sanremo’s Palafiori.
The competing artists were split for the first time into “Big artists” and “Young artists” during the Sanremo Music Festival 1974. The competition had one winner only, but the entries in the “Young artists” category had to go through an elimination round, while “Big artists” were directly admitted to the final.
In 1977, the Sanremo Casino, which hosted all the previous editions of the contest, was not available for renovations, therefore the show moved to the Teatro Ariston. The theater later became the usual location for the annual contest,hosting it every year except in 1990, when the show was held at the Nuovo Mercato dei Fiori, also known as Palafiori.
In 1980, pre-recorded backing tracks replaced the orchestra, while playback performances were allowed in 1983 during the final. In 1984 and 1985, all the artists were forced to perform in playback, while live performances with the orchestra were reintroduced in 1986. During the same years, several other changes were introduced in the contest. In 1982, accredited music journalists decided to create an award to recognise the best song competing in the festival. Starting from 1983, the prize was officially awarded during the event. The critics’ prize was later entitled to Mia Martini, who was the first artist receiving it in 1982 for her entry “E non finisce mica il cielo”.
Moreover, starting from 1984, the separation between newcomers and established artists was marked introducing two different competitions with separate winners. In 1989 a third category, the Upcoming Artists Section, was introduced, but it was removed the following year. Only in 1998 the top three artists in the newcomers section were allowed to compete in the main competition. This led to the victory of the debuting Annalisa Minetti, which generated several controversy and led to the reintroduction of completely separate competitions starting from 1999.
The distinction among different categories was abolished again in 2004. The following year, the contest included five different categories—Newcomers, Men, Women, Groups and Classics. The winner of each category competed for the final victory of the contest. The category Classic was abolished in 2006, while starting from 2007 the festival came back to the rules used in the 1990s, with two completely separated competitions for established artists and newcomers.Re di denari Nada karaoke instrumental
In 2009, a new competition, entirely held through the Web, was introduced by the president of the 59th edition of the contest, Paolo Bonolis. Titled Sanremofestival.59, the contest was not held in the following years.
Pop music is a genre of popular music that originated in its modern form in the Western world during the 1950s and 1960s, deriving from rock and roll. The terms “popular music” and “pop music” are often used interchangeably, although the former describes all music that is popular (and can include any style).
Pop music is eclectic, and often borrows elements from other styles such as urban, dance, rock, Latin, and country; nonetheless, there are core elements that define pop music. Identifying factors include generally short to medium-length songs written in a basic format (often the verse-chorus structure) as well as the common employment of repeated choruses, melodic tunes, and hooks. Re di denari Nada karaoke instrumental
David Hatch and Stephen Millward define pop music as “a body of music which is distinguishable from popular, jazz, and folk musics”. According to Pete Seeger, pop music is “professional music which draws upon both folk music and fine arts music”.Although pop music is seen as just the singles charts, it is not the sum of all chart music. The music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately.Thus “pop music” may be used to describe a distinct genre, aimed at a youth market, often characterized as a softer alternative to rock and roll.
The Oxford Dictionary of Music states that the term “pop” refers to music performed by such artists as the Rolling Stones (pictured here in a 2006 performance)
The term “pop song” was first recorded as being used in 1926, in the sense of a piece of music “having popular appeal”.However, the term was in mainstream use at least ten years earlier. Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music. Re di denari Nada karaoke instrumental
According to the website of The New Grove Dictionary of Music and Musicians, called Grove Music Online, the term “pop music” “originated in Britain in the mid-1950s as a description for rock and roll and the new youth music styles that it influenced The Oxford Dictionary of Music states that while pop’s “earlier meaning meant concerts appealing to a wide audience … since the late 1950s, however, pop has had the special meaning of non-classical mus[ic], usually in the form of songs, performed by such artists as the Beatles, the Rolling Stones, ABBA, etc”. Grove Music Online also states that “… in the early 1960s [the term] ‘pop music’ competed terminologically with Beat music [in England], while in the USA its coverage overlapped (as it still does) with that of ‘rock and roll'”.
Throughout its development, pop music has absorbed influences from most other genres of popular music. Early pop music drew on the sentimental ballad for its form, gained its use of vocal harmonies from gospel and soul music, instrumentation from jazz, country, and rock music, orchestration from classical music, tempo from dance music, backing from electronic music, rhythmic elements from hip-hop music, and has recently appropriated spoken passages from rap. Re di denari Nada karaoke instrumental
It has also made use of technological innovation. In the 1940s improved microphone design allowed a more intimate singing style[13] and ten or twenty years later inexpensive and more durable 45 r.p.m. records for singles “revolutionized the manner in which pop has been disseminated” and helped to move pop music to ‘a record/radio/film star system’.[13] Another technological change was the widespread availability of television in the 1950s; with televised performances, “pop stars had to have a visual presence”. In the 1960s, the introduction of inexpensive, portable transistor radios meant that teenagers could listen to music outside of the home. Multi-track recording (from the 1960s); and digital sampling (from the 1980s) have also been utilized as methods for the creation and elaboration of pop music. By the early 1980s, the promotion of pop music had been greatly affected by the rise of music television channels like MTV, which “favoured those artists such as Michael Jackson and Madonna who had a strong visual appeal”.
According to several sources, MTV helped give rise to pop stars such as Michael Jackson and Madonna; and Jackson and Madonna Re di denari Nada karaoke instrumental
Pop music has been dominated by the American and (from the mid-1960s) British music industries, whose influence has made pop music something of an international monoculture, but most regions and countries have their own form of pop music, sometimes producing local versions of wider trends, and lending them local characteristics. Some of these trends (for example Europop) have had a significant impact of the development of the genre.
According to Grove Music Online, “Western-derived pop styles, whether coexisting with or marginalizing distinctively local genres, have spread throughout the world and have come to constitute stylistic common denominators in global commercial music cultures”.Some non-Western countries, such as Japan, have developed a thriving pop music industry, most of which is devoted to Western-style pop, has for several years produced a greater quantity of music of everywhere except the USA.[20] The spread of Western-style pop music has been interpreted variously as representing processes of Americanization, homogenization, modernization, creative appropriation, cultural imperialism, and/or a more general process of globalization. Select subgeneres of pop such as the guitar-driven “Jank” subgenre have consciously reversed the trend toward homogenization by combining elements from world and classical music into more traditional pop structures.
According to British musicologist Simon Frith, characteristics of pop music include an aim of appealing to a general audience, rather than to a particular sub-culture or ideology, and an emphasis on craftsmanship rather than formal “artistic” qualities. Music scholar Timothy Warner said it typically has an emphasis on recording, production, and technology, rather than live performance; a tendency to reflect existing trends rather than progressive developments; and aims to encourage dancing or uses dance-oriented rhythms.