Description
Look what youve done karaoke instrumental
Look what you’ve done jet acoustic version(female key)
listen to intrumental version
listen to karaoke version
“Look What You’ve Done” is the third single (fourth in the US) by the Australian rock band Jet, from their 2003 album Get Born.
The single was released in 2004 worldwide, and in 2005 in the US.
The single is their highest charting single in Australia peaking at 14 on the ARIA Singles Chart. It was also a hit in Latin America, where it was played several times in radio and television, making it the biggest Jet hit there. The song was ranked #24 on Triple J’s Hottest 100 of 2004.
It was included in the soundtrack of the 2005 romantic drama A Lot Like Love, starring Ashton Kutcher and Amanda Peet.Look what youve done karaoke instrumental
Rock music is a genre of popular music that originated as “rock and roll” in the United States in the 1950s, and developed into a range of different styles in the 1960s and later, particularly in the United Kingdom and the United States. It has its roots in 1940s’ and 1950s’ rock and roll, itself heavily influenced by blues, rhythm and blues and country music. Rock music also drew strongly on a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical and other musical sources.
Musically, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar and drums. Typically, rock is song-based music usually with a 4/4 time signature using a verse-chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political in emphasis. Rock places a higher degree of emphasis on musicianship, live performance, and an ideology of authenticity than pop music.Look what youve done karaoke instrumental
By the late 1960s, referred to as the “golden age” or “classic rock” period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, raga rock, and jazz-rock, many of which contributed to the development of psychedelic rock, which was influenced by the countercultural psychedelic scene. New genres that emerged from this scene included progressive rock, which extended the artistic elements; glam rock, which highlighted showmanship and visual style; and the diverse and enduring subgenre of heavy metal, which emphasized volume, power, and speed. In the second half of the 1970s, punk rock reacted against the perceived overblown, inauthentic and overly mainstream aspects of these genres to produce a stripped-down, energetic form of music valuing raw expression and often lyrically characterised by social and political critiques. Punk was an influence into the 1980s on the subsequent development of other subgenres, including new wave, post-punk and eventually the alternative rock movement. From the 1990s alternative rock began to dominate rock music and break through into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop punk, rap rock, and rap metal, as well as conscious attempts to revisit rock’s history, including the garage rock/post-punk and synthpop revivals at the beginning of the new millennium.Look what youve done karaoke instrumental
Rock music has also embodied and served as the vehicle for cultural and social movements, leading to major sub-cultures including mods and rockers in the UK and the hippie counterculture that spread out from San Francisco in the US in the 1960s. Similarly, 1970s punk culture spawned the visually distinctive goth and emo subcultures. Inheriting the folk tradition of the protest song, rock music has been associated with political activism as well as changes in social attitudes to race, sex and drug use, and is often seen as an expression of youth revolt against adult consumerism and conformity.
A photograph of four members of The Red Hot Chili Peppers performing on a stage
Red Hot Chili Peppers in 2006, showing a quartet lineup for a rock band (from left to right: bassist, lead vocalist, drummer, and guitarist).Look what youve done karaoke instrumental
The sound of rock is traditionally centered on the amplified electric guitar, which emerged in its modern form in the 1950s with the popularization of rock and roll, and was influenced by the sounds of electric blues guitarists.The sound of an electric guitar in rock music is typically supported by an electric bass guitar, which pioneered in jazz music in the same era, and percussion produced from a drum kit that combines drums and cymbals. This trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, Hammond organ and synthesizers. The basic rock instrumentation was adapted from the basic blues band instrumentation (prominent lead guitar, second chordal instrument, bass, and drums). A group of musicians performing rock music is termed a rock band or rock group and typically consists of between three–the power trio used in rock, metal and punk rock–and five members. Classically, a rock band takes the form of a quartet whose members cover one or more roles, including vocalist, lead guitarist, rhythm guitarist, bass guitarist, drummer and often that of keyboard player or other instrumentalist.
Rock music is traditionally built on a foundation of simple unsyncopated rhythms in a 4/4 meter, with a repetitive snare drum back beat on beats two and four. Melodies are often derived from older musical modes, including the Dorian and Mixolydian, as well as major and minor modes. Harmonies range from the common triad to parallel fourths and fifths and dissonant harmonic progressions. Rock songs, since the late 1950s and particularly from the mid-1960s onwards, often used the verse-chorus structure derived from blues and folk music, but there has been considerable variation from this model.[12] Critics have stressed the eclecticism and stylistic diversity of rock. Because of its complex history and tendency to borrow from other musical and cultural forms, it has been argued that “it is impossible to bind rock music to a rigidly delineated musical definition.”
A simple 4/4 drum pattern common in rock music About this sound Play (help·info)
Unlike many earlier styles of popular music, rock lyrics have dealt with a wide range of themes in addition to romantic love: including sex, rebellion against “The Establishment”, social concerns and life styles.These themes were inherited from a variety of sources, including the Tin Pan Alley pop tradition, folk music and rhythm and blues. Music journalist Robert Christgau characterizes rock lyrics as a “cool medium” with simple diction and repeated refrains, and asserts that rock’s primary “function” “pertains to music, or, more generally, noise.” The predominance of white, male and often middle class musicians in rock music has often been noted and rock has been seen as an appropriation of black musical forms for a young, white and largely male audience. As a result, it has been seen as articulating the concerns of this group in both style and lyrics.
Since the term rock began to be used in preference to rock and roll from the late-1960s, it has often been contrasted with pop music, with which it has shared many characteristics, but from which it is often distanced by an emphasis on musicianship, live performance and a focus on serious and progressive themes as part of an ideology of authenticity that is frequently combined with an awareness of the genre’s history and development. According to Simon Frith “rock was something more than pop, something more than rock and roll. Rock musicians combined an emphasis on skill and technique with the romantic concept of art as artistic expression, original and sincere”. In the new millennium the term rock has sometimes been used as a blanket term including forms such as pop music, reggae music, soul music, and even hip hop, with which it has been influenced but often contrasted through much of its history.
The foundations of rock music are in rock and roll, which originated in the United States during the late 1940s and early 1950s, and quickly spread to much of the rest of the world. Its immediate origins lay in a melding of various black musical genres of the time, including rhythm and blues and gospel music, with country and western.In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music (then termed “race music”) for a multi-racial audience, and is credited with first using the phrase “rock and roll” to describe the music.
Debate surrounds which record should be considered the first rock and roll record. Contenders include Goree Carter’s “Rock Awhile” (1949);[24] n 1952 and “Rocket 88” by Jackie Brenston and his Delta Cats (in fact, Ike Turner and his band the Kings of Rhythm), recorded by Sam Phillips for Sun Records in 1951. Four years later, Bill Haley’s “Rock Around the Clock” (1955) became the first rock and roll song to top Billboard magazine’s main sales and airplay charts, and opened the door worldwide for this new wave of popular culture.Look what youve done karaoke instrumental
A black and white photograph of Elvis Presley standing between two sets of bars
Elvis Presley in a promotion shot for Jailhouse Rock in 1957
It has also been argued that “That’s All Right (Mama)” (1954), Elvis Presley’s first single for Sun Records in Memphis, could be the first rock and roll record, but, at the same time, Big Joe Turner’s “Shake, Rattle & Roll”, later covered by Haley, was already at the top of the Billboard R&B charts. Other artists with early rock and roll hits included Chuck Berry, Bo Diddley, Fats Domino, Little Richard, Jerry Lee Lewis, and Gene Vincent. Soon rock and roll was the major force in American record sales and crooners, such as Eddie Fisher, Perry Como, and Patti Page, who had dominated the previous decade of popular music, found their access to the pop charts significantly curtailed.
Rock and roll has been seen as leading to a number of distinct subgenres, including rockabilly, combining rock and roll with “hillbilly” country music, which was usually played and recorded in the mid-1950s by white singers such as Carl Perkins, Jerry Lee Lewis, Buddy Holly and with the greatest commercial success, Elvis Presley. In contrast doo wop placed an emphasis on multi-part vocal harmonies and meaningless backing lyrics (from which the genre later gained its name), which were usually supported with light instrumentation and had its origins in 1930s and 1940s African American vocal groups. Acts like the Crows, the Penguins, the El Dorados and the Turbans all scored major hits, and groups like the Platters, with songs including “The Great Pretender” (1955), and the Coasters with humorous songs like “Yakety Yak” (1958), ranked among the most successful rock and roll acts of the period.Look what youve done karaoke instrumental
The era also saw the growth in popularity of the electric guitar, and the development of a specifically rock and roll style of playing through such exponents as Chuck Berry, Link Wray, and Scotty Moore. The use of distortion, pioneered by electric blues guitarists such as Guitar Slim, Willie Johnson and Pat Hare in the early 1950s, was popularized by Chuck Berry in the mid-1950s.[ The use of power chords, pioneered by Willie Johnson and Pat Hare in the early 1950s, was popularized by Link Wray in the late 1950s.
In the United Kingdom, the trad jazz and folk movements brought visiting blues music artists to Britain. Lonnie Donegan’s 1955 hit “Rock Island Line” was a major influence and helped to develop the trend of skiffle music groups throughout the country, many of which, including John Lennon’s Quarrymen, moved on to play rock and roll.
Commentators have traditionally perceived a decline of rock and roll in the late 1950s and early 1960s. By 1959, the death of Buddy Holly, The Big Bopper and Richie Valens in a plane crash, the departure of Elvis for the army, the retirement of Little Richard to become a preacher, prosecutions of Jerry Lee Lewis and Chuck Berry and the breaking of the payola scandal (which implicated major figures, including Alan Freed, in bribery and corruption in promoting individual acts or songs), gave a sense that the rock and roll era established at that point had come to an end.
The Shirelles in 1962. Clockwise from top: Addie “Micki” Harris, Shirley Owens, Beverly Lee, and Doris Coley.Look what youve done karaoke instrumental
The period of the later 1950s and early 1960s, between the end of the initial period of innovation and what became known in the US as the “British Invasion”, has traditionally been seen as an era of hiatus for rock and roll.More recently some authors have emphasised important innovations and trends in this period without which future developments would not have been possible. While early rock and roll, particularly through the advent of rockabilly, saw the greatest commercial success for male and white performers, in this era the genre was dominated by black and female artists. Rock and roll had not disappeared at the end of the 1950s and some of its energy can be seen in the Twist dance craze of the early 1960s, mainly benefiting the career of Chubby Checker. Having died down in the late 1950s, doo wop enjoyed a revival in the same period, with hits for acts like the Marcels, the Capris, Maurice Williams and the Zodiacs, and Shep and the Limelights. The rise of girl groups like the Chantels, the Shirelles and the Crystals placed an emphasis on harmonies and polished production that was in contrast to earlier rock and roll. Some of the most significant girl group hits were products of the Brill Building Sound, named after the block in New York where many songwriters were based, which included the number 1 hit for the Shirelles “Will You Love Me Tomorrow” in 1960, penned by the partnership of Gerry Goffin and Carole King.Look what youve done karaoke instrumental
Cliff Richard had the first British rock and roll hit with “Move It”, effectively ushering in the sound of British rock. At the start of the 1960s, his backing group the Shadows was the most successful group recording instrumentals. While rock ‘n’ roll was fading into lightweight pop and ballads, British rock groups at clubs and local dances, heavily influenced by blues-rock pioneers like Alexis Korner, were starting to play with an intensity and drive seldom found in white American acts.
Also significant was the advent of soul music as a major commercial force. Developing out of rhythm and blues with a re-injection of gospel music and pop, led by pioneers like Ray Charles and Sam Cooke from the mid-1950s, by the early 1960s figures like Marvin Gaye, James Brown, Aretha Franklin, Curtis Mayfield and Stevie Wonder were dominating the R&B charts and breaking through into the main pop charts, helping to accelerate their desegregation, while Motown and Stax/Volt Records were becoming major forces in the record industry. All of these elements, including the close harmonies of doo wop and girl groups, the carefully crafted song-writing of the Brill Building Sound and the polished production values of soul, have been seen as influencing the Merseybeat sound, particularly the early work of The Beatles, and through them the form of later rock music. Some historians of music have also pointed to important and innovative technical developments that built on rock and roll in this period, including the electronic treatment of sound by such innovators as Joe Meek, and the elaborate production methods of the Wall of Sound pursued by Phil Spector.