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Edith piaf chanson mix karaoke

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Edith piaf chanson mix karaoke

French chanson / Edith piaf mix

song list:

edith piaf – la foule
edith piaf – padam padam
edith piaf -sous la ciel de paris
edith piaf – milord

listen to intrumental demo version

listen to karaoke demo version

 


Édith Piaf 19 December 1915 – 10 October 1963 ( nee Édith Giovanna Gassion) was a French cabaret singer, songwriter, and actress who became widely regarded as France’s national chanteuse, as well as being one of France’s greatest international stars.
Her music was often autobiographical with her singing reflecting her life, and her specialty being chanson and torch ballads, particularly of love, loss and sorrow. Among her well-known songs are “La Vie en rose” (1946), “Non, je ne regrette rien” (1960), “Hymne à l’amour” (1949), “Milord” (1959), “La Foule” (1957), “L’Accordéoniste” (1940), and “Padam … Padam …” (1951). Edith piaf chanson mix karaoke
Since her death in 1963 and with the aid of several biographies and films including 2007’s Academy Award winning La Vie en rose, Piaf has acquired a legacy as one of the greatest performers of the 20th century, and her voice and music continue to be celebrated globally.
Despite numerous biographies, much of Piaf’s life is unknown. She was born Édith Giovanna Gassion in Belleville, Paris. Legend has it that she was born on the pavement of Rue de Belleville 72, but her birth certificate cites that she was born on 19 December 1915 at the Hôpital Tenon, a hospital located at the 20th arrondissement. Edith piaf chanson mix karaoke
She was named Édith after the World War I British nurse Edith Cavell, who was executed for helping French soldiers escape from German captivity. Piaf – slang for “sparrow” – was a nickname she received 20 years later.
Louis Alphonse Gassion (1881–1944), Édith’s father, was a street performer of acrobatics from Normandy with a past in the theatre. He was the son of Victor Alphonse Gassion (1850–1928) and Léontine Louise Descamps (1860–1937), known as Maman Tine, a “madam” who ran a brothel in Bernay in Normandy.
Her mother, Annetta Giovanna Maillard (1895–1945) was of French descent on her father’s side and of Italian and Moroccan Shilha Berber origin on her mother’s, and she was a native of Livorno, Italy. She worked as a café singer under the name Line Marsa. Her parents were Auguste Eugène Maillard (1866–1912) and Emma (Aïcha) Saïd ben Mohammed (1876–1930), daughter of Said ben Mohammed (1827–1890), a Moroccan acrobat born in Mogador, Morocco,  and Marguerite Bracco (1830–1898), born in Murazzano in Italy. She and Louis-Alphonse divorced on 4 June 1929.
Piaf’s mother abandoned her at birth, and she lived for a short time with her maternal grandmother, Emma (Aïcha). When her father enlisted with the French Army in 1916 to fight in World War I, he took her to his mother, who ran a brothel in Bernay, Normandy. There, prostitutes helped look after Piaf. The bordello had two floors and seven rooms, and the prostitutes were not very numerous, “about ten poor girls” as she later described, in fact five or six were permanent and a dozen for market and any busy days. The sub-mistress of the brothel, “Madam Gaby” could be considered a little like family since she became godmother of Denise Gassion, the half-sister born in 1931.Edith believed her weakness for men came from mixing with prostitutes in her grandmother’s brothel. “I thought that when a boy called a girl, the girl would never refuse” she would say later. Edith piaf chanson mix karaoke
From the age of three to seven, Piaf was allegedly blind as a result of keratitis. According to one of her biographers, she recovered her sight after her grandmother’s prostitutes pooled money to accompany her on a pilgrimage honouring Saint Thérèse of Lisieux. Piaf claimed this was the result of a miraculous healing.
In 1929, at age 14, she joined her father in his acrobatic street performances all over France, where she first sang in public. At the age of 15, Piaf met Simone “Mômone” Berteaut, who may have been her half-sister, and who became a companion for most of her life. Together they toured the streets singing and earning money for themselves. With the additional money Piaf earned as part of an acrobatic trio, she and Mômone were able to rent their own place. Piaf later separated from her father and took a room at Grand Hôtel de Clermont (18 rue Véron (fr), 18th arrondissement of Paris), working with Mômone as a street singer in Pigalle, Ménilmontant, and the Paris suburbs (cf. the song “Elle fréquentait la rue Pigalle”). Edith piaf chanson mix karaoke
In 1932, she met and fell in love with Louis Dupont. Within a very short time, he moved into their small room, where the three lived despite Louis’ and Mômone’s dislike for each other. Louis was never happy with the idea of Piaf’s roaming the streets, and continually persuaded her to take jobs he found for her. She resisted his suggestions, until she became pregnant and worked for a short while making wreaths in a factory.
In February 1933, the 17-year-old Piaf gave birth to her daughter, Marcelle (nicknamed Cécelle) at the Hôpital Tenon. Like her mother, Piaf found it difficult to care for a child while living a life on the streets, as she had little maternal instinct, parenting knowledge, or domestic skills. She rapidly returned to street singing, until the summer of 1933, when she opened at Juan-les-Pins, Rue Pigalle.lle’s father) taking Mômone and Marcelle with her. The three stayed at the Hôtel Au Clair de Lune, Rue André-Antoine. During this time, Marcelle was often left alone in the room while Piaf and Mômone were out on the streets or at the club singing. Dupont eventually came and took Marcelle away, saying that if Édith wanted the child, she must come home. Like her own mother, Piaf decided not to come home, though she did pay for childcare. Marcelle died of meningitis at age two. It is rumored that Piaf slept with a man to pay for Marcelle’s funeral. Edith piaf chanson mix karaoke
Columbia Records poster of Piaf in her trademark black dress
In 1935, Piaf was discovered in the Pigalle area of Paris by nightclub owner Louis Leplée,[4] whose club Le Gerny’s off the Champs-Élysées was frequented by the upper and lower classes alike. He persuaded her to sing despite her extreme nervousness, which, combined with her height of only 142 centimetres (4 ft 8 in), inspired him to give her the nickname that would stay with her for the rest of her life and serve as her stage name, La Môme Piaf (Paris slang meaning “The Waif Sparrow” or “The Little Sparrow”).Leplée taught her the basics of stage presence and told her to wear a black dress, which became her trademark apparel. Later, she would always appear in black.
Leplée ran an intense publicity campaign leading up to her opening night, attracting the presence of many celebrities, including actor and singer Maurice Chevalier. The bandleader that evening was Django Reinhardt, with his pianist, Norbert Glanzberg. Her nightclub gigs led to her first two records produced that same year, with one of them penned by Marguerite Monnot, a collaborator throughout Piaf’s life and one of her favourite composers.
On 6 April 1936, Leplée was murdered. Piaf was questioned and accused as an accessory, but acquitted. Leplée had been killed by mobsters with previous ties to Piaf. A barrage of negative media attention now threatened her career. To rehabilitate her image, she recruited Raymond Asso, with whom she would become romantically involved. He changed her stage name to “Édith Piaf”, barred undesirable acquaintances from seeing her, and commissioned Monnot to write songs that reflected or alluded to Piaf’s previous life on the streets. Edith piaf chanson mix karaoke
In 1940, Piaf co-starred in Jean Cocteau’s successful one-act play Le Bel Indifférent. The German occupation of Paris did not stop her career; she began forming friendships with prominent people, including Chevalier and poet Jacques Bourgeat. She wrote the lyrics of many of her songs and collaborated with composers on the tunes. Spring 1944 saw the first cooperation and a love affair with Yves Montand in the Moulin Rouge.
In 1947, she wrote the lyrics to the song “Mais qu’est-ce que j’ai ?” (music by Henri Betti) for Yves Montand. Within a year, he became one of the most famous singers in France. She broke off their relationship when he had become almost as popular as she was. Edith piaf chanson mix karaoke
During this time, she was in great demand and very successful in Paris as France’s most popular entertainer.After the war, she became known internationally, touring Europe, the United States, and South America. In Paris, she gave Atahualpa Yupanqui (Héctor Roberto Chavero) – a central figure in the Argentine folk music tradition – the opportunity to share the scene, making his debut in July 1950. She helped launch the career of Charles Aznavour in the early 1950s, taking him on tour with her in France and the United States and recording some of his songs. At first she met with little success with U.S. audiences, who expected a gaudy spectacle and were disappointed by Piaf’s simple presentation. After a glowing 1947 review in the New York Herald Tribune by the influential New York critic Virgil Thompson, himself a contributor to international avant garde culture, however, her popularity grew,to the point where she eventually appeared on The Ed Sullivan Show eight times and at Carnegie Hall twice (1956 and 1957). Edith piaf chanson mix karaoke
Piaf’s signature song, “La Vie en rose”,was written in 1945 and was voted a Grammy Hall of Fame Award in 1998.
Bruno Coquatrix’s famous Paris Olympia music hall is where Piaf achieved lasting fame, giving several series of concerts at the hall, the most famous venue in Paris, between January 1955 and October 1962. Excerpts from five of these concerts (1955, 1956, 1958, 1961, 1962) were issued on record and CD and have never been out of print. The 1961 concerts, promised by Piaf in an effort to save the venue from bankruptcy, debuted her song “Non, je ne regrette rien”.In April 1963, Piaf recorded her last song, “L’Homme de Berlin”.
Piaf’s career and fame gained momentum during the German occupation of France. She performed in various nightclubs and brothels, which flourished during the 1940–1945 Années Erotiques (book title of Patrick Buisson, director of the French history channel)[22][23][24] Various top Paris brothels, including Le Chabanais, Le Sphinx, One Two Two, La rue des Moulins, and Chez Marguerite, were reserved for German officers and collaborating Frenchmen. In 1942, Piaf was able to afford a luxury flat in a house in the fancy 16th arrondissement of Paris (today rue Paul-Valéry). She lived above the L’Étoile de Kléber, a famous nightclub and bordello close to the Paris Gestapo headquarters. Friends joined her, just for the reason that she had access to heating materials. She was, for example, invited to take part in a concert tour to Berlin, sponsored by the German officials, together with artists such as Loulou Gasté, Raymond Souplex, Viviane Romance and Albert Préjean.
Piaf was deemed to have been a traitor and collaboratrice. She had to testify before a purge panel, as there were plans to ban her from appearing on radio transmissions. However, her secretary Andrée Bigard, a member of the Résistance, spoke in her favour after the liberation. According to Bigard, photos made during Piaf’s repeated concerts in POW camps allowed falsifying documents to be used to assist French soldiers in their escape attempts.[31] Piaf was quickly back in the singing business and then, in December 1944, she went on stage for the Allied forces together with Montand in Marseille.
Piaf with her second husband Théo Sarapo in 1962 Edith piaf chanson mix karaoke
At age 17 Piaf had a daughter, Marcelle, who died aged two. Piaf neither wanted nor had other children.
The love of Piaf’s life, the married boxer Marcel Cerdan, died in a plane crash in October 1949, while flying from Paris to New York City to meet her. Cerdan’s Air France flight, on a Lockheed Constellation, crashed in the Azores, killing everyone on board, including noted violinist Ginette Neveu. Piaf and Cerdan’s affair made international headlines, as Cerdan was the former middleweight world champion and a legend in France in his own right.
In 1951, Piaf was seriously injured in a car crash along with Charles Aznavour, breaking her arm and two ribs, and thereafter had serious difficulties arising from morphine and alcohol addictions. Two more near-fatal car crashes exacerbated the situation.Jacques Pills, a singer, took her into rehabilitation on three different occasions to no avail. Edith piaf chanson mix karaoke
Piaf married Jacques Pills (real name René Ducos), her first husband, in 1952 (her matron of honour was Marlene Dietrich) and divorced him in 1957. In 1962, she wed Théo Sarapo (Theophanis Lamboukas), a Greek hairdresser-turned-singer and actor who was 20 years her junior. The couple sang together in some of her last engagements.
Piaf lived in Belleville, Paris, with her parents from 1915 to 1934. From 1934 to 1941, she lived at 45 rue de Chézy in Neuilly-sur-Seine; she lived alone from 1941 to 1952 and with Jacques Pills from 1952 to 1956. She continued to live there alone from 1956 to 1959. In her final years she lived at 23 rue Édouard Nortier in Neuilly-sur-Seine – alone from 1959 to 1962 and with Théo Sarapo from 1962 until her death in 1963.
Pop music is a genre of popular music that originated in its modern form in the Western world during the 1950s and 1960s, deriving from rock and roll. The terms “popular music” and “pop music” are often used interchangeably, although the former describes all music that is popular (and can include any style).
Pop music is eclectic, and often borrows elements from other styles such as urban, dance, rock, Latin, and country; nonetheless, there are core elements that define pop music. Identifying factors include generally short to medium-length songs written in a basic format (often the verse-chorus structure) as well as the common employment of repeated choruses, melodic tunes, and hooks.
David Hatch and Stephen Millward define pop music as “a body of music which is distinguishable from popular, jazz, and folk musics”. According to Pete Seeger, pop music is “professional music which draws upon both folk music and fine arts music”.Although pop music is seen as just the singles charts, it is not the sum of all chart music. The music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately.Thus “pop music” may be used to describe a distinct genre, aimed at a youth market, often characterized as a softer alternative to rock and roll.
The Oxford Dictionary of Music states that the term “pop” refers to music performed by such artists as the Rolling Stones (pictured here in a 2006 performance) Edith piaf chanson mix karaoke
The term “pop song” was first recorded as being used in 1926, in the sense of a piece of music “having popular appeal”.However, the term was in mainstream use at least ten years earlier. Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music.
According to the website of The New Grove Dictionary of Music and Musicians, called Grove Music Online, the term “pop music” “originated in Britain in the mid-1950s as a description for rock and roll and the new youth music styles that it influenced The Oxford Dictionary of Music states that while pop’s “earlier meaning meant concerts appealing to a wide audience … since the late 1950s, however, pop has had the special meaning of non-classical mus[ic], usually in the form of songs, performed by such artists as the Beatles, the Rolling Stones, ABBA, etc”. Grove Music Online also states that “… in the early 1960s [the term] ‘pop music’ competed terminologically with Beat music [in England], while in the USA its coverage overlapped (as it still does) with that of ‘rock and roll'”.
Throughout its development, pop music has absorbed influences from most other genres of popular music. Early pop music drew on the sentimental ballad for its form, gained its use of vocal harmonies from gospel and soul music, instrumentation from jazz, country, and rock music, orchestration from classical music, tempo from dance music, backing from electronic music, rhythmic elements from hip-hop music, and has recently appropriated spoken passages from rap. Edith piaf chanson mix karaoke
It has also made use of technological innovation. In the 1940s improved microphone design allowed a more intimate singing style[13] and ten or twenty years later inexpensive and more durable 45 r.p.m. records for singles “revolutionized the manner in which pop has been disseminated” and helped to move pop music to ‘a record/radio/film star system’.[13] Another technological change was the widespread availability of television in the 1950s; with televised performances, “pop stars had to have a visual presence”. In the 1960s, the introduction of inexpensive, portable transistor radios meant that teenagers could listen to music outside of the home. Multi-track recording (from the 1960s); and digital sampling (from the 1980s) have also been utilized as methods for the creation and elaboration of pop music. By the early 1980s, the promotion of pop music had been greatly affected by the rise of music television channels like MTV, which “favoured those artists such as Michael Jackson and Madonna who had a strong visual appeal”.
According to several sources, MTV helped give rise to pop stars such as Michael Jackson and Madonna; and Jackson and Madonna Edith piaf chanson mix karaoke
Pop music has been dominated by the American and (from the mid-1960s) British music industries, whose influence has made pop music something of an international monoculture, but most regions and countries have their own form of pop music, sometimes producing local versions of wider trends, and lending them local characteristics. Some of these trends (for example Europop) have had a significant impact of the development of the genre.