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Birkat habanim karaoke instrumental




Birkat habanim karaoke instrumental

Ohad Moskowitz

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Ohad Moskowitz (born 1974), known professionally as Ohad, is an Orthodox Jewish vocalist who is one of the superstars of the contemporary Jewish religious music scene. He rose to international stardom in 2003 with his first solo album, Vearastich, produced by Yossi Green.
Ohad began his career singing back-up vocals for Orthodox Jewish stars such as Mordechai Ben David and Dedi Graucher.His first American performance took place in 2003 at Yossi Green’s annual Jewish hospice benefit concert at the Lincoln Center. Green was so impressed with the audience’s reaction to Ohad’s singing that he offered to produce Ohad’s first album. Green wrote several songs for the album, including the title track, “Vearastich” (I Will Betroth You).Birkat habanim karaoke instrumental
Ohad’s debut album catapulted him to fame. He was named Singer of the Year at the Hasidic Music “People of the Year” ceremony in Israel in 2004.He was a featured singer at the HASC 18 “A Time for Music” in 2005. He was also a featured vocalist at HASC 20 (2007) HASC 21 (2007) (where he performed as one of the “Four Tenors” alongside Avraham Fried, Cantor Yitzchak Meir Helfgot, and Dudu Fisher; HASC 24 (2010) (where he sang a duet with Hasidic singer and hazzan Yehuda Green; HASC 25 (2011)and HASC 27 (2013).Ohad also performs at concerts benefiting Ohel and other Jewish charity organizations.Birkat habanim karaoke instrumental
In 2008 Ohad performed a new Yossi Green song dedicated to Chabad shluchim around the world in the wake of the November 2008 attacks in Mumbai, which targeted the Chabad house there. He was one of over 30 Orthodox Jewish superstars appearing on the 2010 Unity for Justice album to benefit the legal defense of Sholom Rubashkin.
Ohad sings at Jewish weddings and Chol HaMoed events with choirs such as the Gershon Freishtat Orchestra, the Yedidim Choir, the KMR Boys Choir, and the Miami Boys Choir, His 2009 hit, Bo’i Kala, set to the words of the traditional song accompanying the bride to the chuppah, is a remake of Leonard Cohen’s “Hallelujah”.
Agudas Chasidei Chabad Merkos L’Inyonei Chinuch Machneh Israel Kehot Publication Society Lubavitch Youth Organization NCFJE Tzivos Hashem Sheloh Colel Chabad Gan Israel Jewish Relief Agency Jewish Learning Institute Jewish Learning Network Chabad on Campus Ohr Avner
Bais Chana Beth Rivkah Beth Rivkah Ladies College Hadar Hatorah Lubavitch Senior Girls’ School Machon Chana Mayanot Ohel Chana Oholei Torah Ohr Avner Rabbinical College Tomchei Temimim Yeshivah College Yeshivah Gedolah
Chabad philosophy Birkat habanim karaoke instrumental
Dirah Betachtonim Seder hishtalshelus
Tanya Shulchan Aruch HaRav Tehillat Hashem Maamarim Likutei Torah/Torah Or Toras Chaim Imrei Binah Derech Mitzvosecha Samech Vov Ayin Beis Hayom Yom Likkutei Sichos Igrot Kodesh Hadranim al HaRambam Hatomim
Mitzvah campaigns Chabad house Chabad on Campus Mitzvah tank Noahide laws Public menorah Shluchim
Chitas Mashpia Meiniach Farbrengen Nusach Ari Shaliach Choizer Chabadnitze Dira Betachtonim
Strashelye Kopust Liadi Niezhin Avrutch Malachim Birkat habanim karaoke instrumental
Chabad, also known as Lubavitch, Habad and Chabad-Lubavitch, is an Orthodox Jewish, Hasidic movement. Chabad is today one of the world’s best known Hasidic movements and is well known for its outreach. It is the largest Hasidic group and Jewish religious organization in the world.
Founded in 1775 by Rabbi Schneur Zalman of Liadi, the name “Chabad” is a Hebrew acronym for Chochmah, Binah, Da’at “Wisdom, Understanding, and Knowledge”, which represent the intellectual underpinnings of the movement. The name “Lubavitch” is the Yiddish name for the originally Belorussian village Lyubavichi, now in Russia, where the movement’s leaders lived for over 100 years. Birkat habanim karaoke instrumental
In 1951, Rabbi Menachem Mendel Schneerson became the seventh Rebbe of Chabad-Lubavitch, and he transformed it from a small Hasidic movement into the largest and most widespread Jewish movement in the world today. He established a network of more than 3,600 institutions that provide religious, social and humanitarian needs in over 1,000 cities, spanning more than 80 countries and all 50 American states. Chabad institutions provide outreach to unaffiliated Jews and humanitarian aid, as well as religious, cultural and educational activities at Chabad-run community centers, synagogues, schools, camps, and soup kitchens.Vaharikoti Lachem Bracha instrumental
Studies conducted between 1993 and 1996 stated the movement is thought to number between 40,000[16] and 200,000 adherents. In 2005 the Jerusalem Center for Public Affairs reported that up to one million Jews attend Chabad services at least once a year. In 2013, Chabad forecast that their Chanukah activities would reach up to 8,000,000 Jews in 80 countries worldwide. Birkat habanim karaoke instrumental
The Chabad movement was established in the town of Liozna, Grand Duchy of Lithuania (present day Belarus), in 1775, by Rabbi Shneur Zalman of Liadi, a student of Rabbi Dovber ben Avraham, the “Maggid of Mezritch”, the successor to Hassidism’s founder, Rabbi Israel Baal Shem Tov. The movement was based in Lyubavichi (Lubavitch) for over a century, then briefly centered in the cities of Rostov-on-Don, Riga, and Warsaw. Since 1940,[24] the movement’s center has been in the Crown Heights neighborhood of Brooklyn.Vaharikoti Lachem Bracha instrumental
While the movement has spawned a number of other groups, the Chabad-Lubavitch branch appears to be the only one still active, making it the movement’s main surviving line. Sarna has characterized Chabad as having enjoyed the fastest rate of growth of any Jewish religious movement for the period 1946-2015.
In the early 1900s, Chabad-Lubavitch legally incorporated itself under Agudas Chasidei Chabad (“Association of
Rabbi Shneur Zalman of Liadi (1745–1812), founded the Chabad movement in the town of Liozna. He later moved the movement’s center to the town of Liadi. Rabbi Shneur Zalman was the youngest disciple of Rabbi Dovber of Mezritch, the principal disciple and successor of Rabbi Israel Baal Shem Tov, founder of Hasidism. The Chabad movement began as a separate school of thought within the Hasidic movement, focusing of the spread of Hasidic mystical teachings using logical reasoning (creating a kind of Jewish “rational-mysticism”).Shneur Zalman’s main work is the Tanya (or Sefer Shel Beinonim, Book of the Average Man). The Tanya is the central book of Chabad thought and is studied daily by followers of the Chabad movement. Shneur Zalman’s other works include a collection of writings on Hasidic thought, and the Shulchan Aruch HaRav, a revised version of the code of Jewish law, both of which are studied regularly by followers of Chabad. Shneur Zalman’s successors went by last names such as “Schneuri” and “Schneersohn” (later “Schneerson”), signifying their descent from the movement’s founder. He is commonly referred to as the Alter Rebbe or Admur Hazoken (“Old Rebbe”).Birkat habanim karaoke instrumental
Rabbi Dovber Schneuri (1773–1827), son of Rabbi Shneur Zalman, led the Chabad movement in the town of Lyubavichi (Lubavitch). His leadership was initially disputed by Rabbi Aaron Halevi of Stroselye, however, Rabbi Dovber was generally recognized as his father’s rightful successor, and the movement’s leader. Rabbi Dovber published a number of his writings on Hasidic thought, greatly expanding his father’s work. He also published some of his father’s writings. Many of Rabbi Dovber’s works have been subsequently republished by the Chabad movement. He is commonly referred to as the Mitteler Rebbe , or Admur Ha’emtzoei (Hebrew: אדמו״ר האמצעי) (Middle Rebbe).
Rabbi Menachem Mendel Schneersohn (1789–1866), a grandson of Rabbi Shneur Zalman and son-in-law of Rabbi Dovber. Following his attempt to persuade the Chabad movement to accept his brother-in-law or uncle as rebbe, Rabbi Menachem Mendel assumed the title of rebbe of Chabad, also leading the movement from the town of Lyubavichi (Lubavitch). He published a number of his works on both Hasidic thought and Jewish law. Rabbi Menachem Mendel also published some of the works of his grandfather, Rabbi Shneur Zalman. He is commonly referred to as the Tzemach Tzedek, after the title of his responsa. Birkat habanim karaoke instrumental
Rabbi Shmuel Schneersohn (1834–1882), was the seventh and youngest son of Rabbi Menachem Mendel. He assumed the title of rebbe in town of Lyubavichi (Lubavitch), while several of his brothers assumed the title of rebbe in other towns, forming groups of their own. Years after his death, his teachings were published by the Chabad movement. He is commonly referred to as the Maharash, an acronym for “Moreinu HaRav Shmuel” (“our teacher, Rabbi Shmuel”).[35]
Rabbi Shalom Dovber Schneersohn (1860–1920), Shmuel’s second son, succeeded his father as rebbe. Rabbi Shalom Dovber waited some time before officially accepting the title of rebbe, as not to offend his elder brother, Zalman Aaron. He established a yeshiva called Tomchei Temimim. During World War One, he moved to Rostov-on-Don. Many of his writings were published after his death, and are studied regularly in Chabad yeshivas. He is commonly referred to as the Rashab, an acronym for “Rabbi Shalom Ber”.Birkat habanim karaoke instrumental
Rabbi Yosef Yitzchak Schneersohn (1880–1950), the only son of Sholom Dovber, succeeded his father as rebbe of Chabad. Rabbi Yosef Yitzchak was exiled from Russia, following an attempt by the Bolshevik government to have him executed.[38] He led the movement from Warsaw, Poland, until the start of World War Two. After fleeing the Nazis, Rabbi Yosef Yitzchak lived in Brooklyn, New York until his death. He established much of Chabad’s current organizational structure, founding several of its central organizations as well as other Chabad institutions, both local and international. He published a number of his writings, as well as the works of his predecessors. He is commonly referred to as the Rayatz, or the Frierdiker Rebbe (“Previous Rebbe”).Birkat habanim karaoke instrumental
Rabbi Menachem Mendel Schneerson (1902–1994), son-in-law of Rabbi Yosef Yitzchak, and a great-grandson of the third Rebbe of Lubavitch, assumed the title of rebbe one year after his father-in-law’s death. Rabbi Menachem Mendel greatly expanded Chabad’s global network, establishing hundreds of new Chabad centers across the globe. He published many of his own works as well as the works of his predecessors. His teachings are studied regularly by followers of Chabad. He is commonly referred to as “the Lubavitcher Rebbe”, or simply “the Rebbe”. Even after his death, many continue to revere him as the leader of the Chabad movement. “pop music” “originated in Britain in the mid-1950s as a description for rock and roll and the new youth music styles that it influenced The Oxford Dictionary of Music states that while pop’s “earlier meaning meant concerts appealing to a wide audience … since the late 1950s, however, pop has had the special meaning of non-classical mus[ic], usually in the form of songs, performed by such artists as the Beatles, the Rolling Stones, ABBA, etc”. Grove Music Online also states that “… in the early 1960s [the term] ‘pop music’ competed terminologically with Beat music [in England], while in the USA its coverage overlapped (as it still does) with that of ‘rock and roll'”.
Throughout its development, pop music has absorbed influences from most other genres of popular music. Early pop music drew on the sentimental ballad for its form, gained its use of vocal harmonies from gospel and soul music, instrumentation from jazz, country, and rock music, orchestration from classical music, tempo from dance music, backing from electronic music, rhythmic elements from hip-hop music, and has recently appropriated spoken passages from rap. Birkat habanim karaoke instrumental
It has also made use of technological innovation. In the 1940s improved microphone design allowed a more intimate singing style and ten or twenty years later inexpensive and more durable 45 r.p.m. records for singles “revolutionized the manner in which pop has been disseminated” and helped to move pop music to ‘a record/radio/film star system’. Another technological change was the widespread availability of television in the 1950s; with televised performances, “pop stars had to have a visual presence”. In the 1960s, the introduction of inexpensive, portable transistor radios meant that teenagers could listen to music outside of the home. Multi-track recording (from the 1960s); and digital sampling (from the 1980s) have also been utilized as methods for the creation and elaboration of pop music. By the early 1980s, the promotion of pop music had been greatly affected by the rise of music television channels like MTV, which “favoured those artists such as Michael Jackson and Madonna who had a strong visual appeal”.Birkat habanim karaoke instrumental
According to several sources, MTV helped give rise to pop stars such as Michael Jackson and Madonna; and Jackson and Madonna Mizmor ledavid karaoke instrumental
Pop music has been dominated by the American and (from the mid-1960s) British music industries, whose influence has made pop music something of an international monoculture, but most regions and countries have their own form of pop music, sometimes producing local versions of wider trends, and lending them local characteristics. Some of these trends (for example Europop) have had a significant impact of the development of the genre.
According to Grove Music Online, “Western-derived pop styles, whether coexisting with or marginalizing distinctively local genres, have spread throughout the world and have come to constitute stylistic common denominators in global commercial music cultures”.Some non-Western countries, such as Japan, have developed a thriving pop music industry, most of which is devoted to Western-style pop, has for several years produced a greater quantity of music of everywhere except the USA. The spread of Western-style pop music has been interpreted variously as representing processes of Americanization, homogenization, modernization, creative appropriation, cultural imperialism, and/or a more general process of globalization. Select subgeneres of pop such as the guitar-driven “Jank” subgenre have consciously reversed the trend toward homogenization by combining elements from world and classical music into more traditional pop structures.Vaharikoti Lachem Bracha instrumental
According to British musicologist Simon Frith, characteristics of pop music include an aim of appealing to a general audience, rather than to a particular sub-culture or ideology, and an emphasis on craftsmanship rather than formal “artistic” qualities. Music scholar Timothy Warner said it typically has an emphasis on recording, production, and technology, rather than live performance; a tendency to reflect existing trends rather than progressive developments; and aims to encourage dancing or uses dance-oriented rhythms.
The main medium of pop music is the song, often between two and a half and three and a half minutes in length, generally marked by a consistent and noticeable rhythmic element, a mainstream style and a simple traditional structure. Common variants include the verse-chorus form and the thirty-two-bar form, with a focus on melodies and catchy hooks, and a chorus that contrasts melodically, rhythmically and harmonically with the verse. The beat and the melodies tend to be simple, with limited harmonic accompaniment.The lyrics of modern pop songs typically focus on simple themes – often love and romantic relationships – although there are notable exceptions.
Harmony and chord progressions in pop music are often “that of classical European tonality, only more simple-minded.” and then to the tonic) and blues scale-influenced harmony. There was a lessening of the influence of traditional views of the circle of fifths between the mid-1950s and the late 1970s, including less predominance for the dominant function. Birkat habanim karaoke instrumental
A study in 2012 that examined over 464,000 recordings of popular music recorded since 1955 found “three important trends in the evolution of musical discourse: the restriction of pitch sequences (with metrics showing less variety in pitch progressions), the homogenization of the timbral palette [tone colour] (with frequent timbres becoming more frequent), and growing average loudness levels (threatening a dynamic richness [changes in volume] that has been conserved until today).” It was reported that the study “seems to support the popular anecdotal observation that pop music of yore was better, or at least more varied, than today’s top-40 stuff.